Design Legends ("DL") had the distinct honour to interview legendary designer Marius Mateika ("MM") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
MM : I am an architect. I have a Bachelor's and Master's degree in architecture. I have 20m experience as a developer's representative. I opened a design company relatively recently.
MM : I became an architect because that was my dream.
MM : I became an architect because that was my dream.
MM : I'm motivated by the fact that I'm creating every day, every time I have the opportunity to create something new. To convince the customer that it will be the right thin
MM : I won't say anything unexpected: work, work, work hard.
MM : They are not much different. A good designer does good work. A great designer has a lot of good work already done.
MM : Basically, it is very intuitive. It's good when it's hard to find arguments to undermine it.
MM : Many reasons: Good design does not necessarily cost more than bad design. Good design performs a better function. Good design attracts the user. Good design represents you. Good design makes your customer feel good. Very good design doesn't age at all because it is too iconic.
MM : A space research centre on Mars.
MM : A space research centre on Mars.
MM : My secret ingredients is patience, passion and belief in what I do.
MM : Tadao Ando, Le Corbusier, Antoni Gaudi
MM : My favourite interiors are Le Corbusier's Ronchamp chapel and Timo and Tuomo Suomalainen's Temppeliaukio church. Being there is something special. I love these interiors. Because they are very emotionally charged.
MM : I don't understand what designs you are talking about? If it's mine, they are all valuable to me. After all, they are all my children.
MM : You need to keep working. Don't get tired of striving for excellence, even when you fail. Because you only get better if you keep learning. Just when I think I know it all, I pick up something I don't know how to do, and then the learning process starts again.
MM : I think I would have become a film or theatre director.
MM : Design is a way of life.
MM : My biggest supporter is my family. They are very unlucky that their father/husband/son/brother is an architect, as my work is very time consuming. Therefore, their unconditional support allows me to be selfish and spend more time on my work.
MM : I wouldn't say I'm already great. I am still on my way in that direction.
MM : I have a slightly different path than other architects. I've never worked for an architectural firm. I worked for a developer. I was responsible for part of the development process. I opened my own design company very recently. So my experience is a little bit different. My main obstacle is that I had to learn everything myself. There are advantages here: I do things differently when I am self-taught. That's what makes my company's work unique.
MM : I don't know.
MM : it is a secret for now, but you'll find out soon enough.
MM : My goal is to never get tired of searching.
MM : They expect professionalism and unique ideas that meet their clients' needs. I think we're doing a great job of that
MM : We strive for perfection, and anything closer to perfection is closer to god.
MM : We are designing the interior of the Klaipėda State Music Theatre. It will be spectacular. The whole interior will be made of real clay. In total, 32 tonnes of clay were used. It is an impressive amount. What is even more impressive is that the main event hall is a solid work of clay art.
MM : We did the interior of a nightclub. The aim was to do better than the main competitor in the city. We finished and opened the club. The main competitor went bankrupt after just a few months. This is direct proof that good interiors make sense.
MM : I expect more uniqueness, more iconicity, more mixing of styles and cultures.
MM : i do not know.
MM : Depends on the project. For example The Lithuanian Symphony Orchestra Hall took 7 years to realise.
MM : I always start with a detailed analysis: why are we doing this? Who is the client? Who is the client's client? Who is the end user? What is the context? etc. Only when we have a clear understanding of what is needed do we start to create visions.
MM : Think differently
MM : Very good question. Which comes first the chicken or the egg? I think a good designer has to be fashion-proof.
MM : We haven't done pencil work for a long time. We visualise on the computer, with graphic design tablets, etc. we use many different programs. AI also helps us. We are cyborgs and proud of it.
MM : it is a secret :)
MM : Everything is connected. there is nothing I can single out. But sometimes the choice of material determines the trajectory of an idea. For example, in the Klaipėda Music Theatre, we chose clay as the main finishing material. We've created a stunning wall décor. Its possibilities are endless.
MM : Better not to ask anything. Admire.
MM : "Someone has put in a lot of work and effort". "Someone had the patience"
MM : my team is the best
MM : All. Customers, builders, furnishers, decorators, engineers... all do their bit.
MM : Carl Jung's Archetypes. All the answers of the universe are within each one of us.
MM : I won't say anything new. Work work, hard work.
MM : I would love to attend the last supper.
MM : We architects/designers are not rock stars, no one is following us. And about awards, they encourage us to keep working. It's a sign that we're doing something well if our colleagues around the world recognise it.
MM : Colour: black (surprise!); Place - bedroom; food - watter; season - autumn; thing - bicycle; brand - NYB (not your business)
MM : There's nothing funny about what I do:)
MM : I try to do only what I like, or turn what I don't like into what I do like.
MM : Of course. As soon as I was born, my mother said "he's going to be a famous architect/designer"
MM : What happens to all sandcastles by the sea will happen. People will destroy what they have created and start all over again.
MM : Nobody needs to know anything about me, let my work speak for me
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