xuechen chen

LEGENDARY INTERVIEW

Design Legends ("DL") had the distinct honour to interview legendary designer xuechen chen ("XC") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.

DL: Could you please tell us a bit about your design background and education?

XC : Hi, I'm Xuechen Chen, an architect and designer based in New York. My passion for architecture stems from a childhood fascination with art and a keen observation of urban transformations in China. After earning my B.Arch from Pratt Institute and an M.Design from the University of Pennsylvania, I've developed a multidimensional perspective that blends technical expertise with a deep appreciation for cultural richness and social impact. My designs aim to strike a balance between functionality and aesthetics, reflecting both the evolving urban landscape and my dedication to purposeful design.

DL: What motivates you to design in general, why did you become a designer?

XC : What motivates me to design is the deep belief that spaces can profoundly impact people's lives. Growing up in China, I saw firsthand the rapid urban reconstruction and how it affected our cultural and social landscapes. I watched as people were often confined into concrete boxes, losing the comfort and warmth of their original lifestyles. This experience gave me a strong appreciation for the power of design to influence how we interact with our surroundings and with each other.

DL: Did you choose to become a designer, or you were forced to become one?

XC : Becoming an architect and designer felt like the natural path for me since I was young. When I was growing up, I always had deep appreciation for art and witnessing the urban reconstruction process in China has strongly influenced my personal aspiration of becoming an architect. By witnessing the ignorance of the cultural and human aspects of the reconstruction, I recognized the power of creativity to extend beyond purely function or purely aesthetics. It resonates deeply with our human experiences, emotions, and our connection to the urban landscape. Balancing both function and aesthetics in my designs, I aim to blend creativity with practicality, reflecting both the evolving urban relationship and my dedication to purposeful design.

DL: What do you design, what type of designs do you wish to design more of?

XC : My favorite kind of design revolves around incorporating cultural and social reflections. I am drawn to designs that prioritize people's interactions and experiences, fostering an approachable atmosphere. I admire projects dedicated to enhancing users' needs and interactions while maintaining high aesthetic standards. I especially wish to design more civic and cultural projects, as they have the potential to create meaningful, inclusive spaces that enrich communities and reflect their unique identities.

DL: What should young designers do to become a design legend like you?

XC : Embrace every opportunity to learn and explore new ideas. Stay open-minded, seek diverse experiences, and continuously challenge yourself to grow and innovate.

DL: What distinguishes between a good designer and a great designer?

XC : A great designer focuses on human experience and the impact of their design, rather than just its aesthetic appeal. They have a unique vision that pushes boundaries and sets new standards. While good designers meet existing expectations, great designers create something that resonates deeply with people. Ultimately, a great designer's work goes beyond looking good; it inspires, influences, and leaves a lasting positive impact on the community and the industry. Their designs are about creating meaningful experiences and making a difference in people's lives.

DL: What makes a good design a really good design, how do you evaluate good design?

XC : When considering what elevates a good design to a truly exceptional one, I find that it's about seamlessly integrating cultural and social elements. I'm particularly drawn to designs that prioritize human interactions and experiences, creating environments that feel approachable and inviting. For me, a key aspect of evaluating good design is its ability to enhance the needs and interactions of its users while upholding impeccable aesthetic standards. In essence, I admire projects that not only reflect cultural and social reflections but also prioritize the well-being and experiences of those who interact with them.

DL: What is the value of good design? Why should everyone invest in good design?

XC : The value of good design extends far beyond aesthetics; it has the power to profoundly impact individuals, communities, and society as a whole. Investing in good design means prioritizing thoughtful and intentional creations that go beyond mere functionality. It's about transforming how users perceive and experience the world around them, fostering connections, enhancing well-being, and ultimately enriching lives. Good design has the potential to shape behaviors, inspire creativity, and contribute to a more harmonious and inclusive society. Therefore, everyone should invest in good design to create spaces and experiences that elevate the human experience and leave a positive legacy for future generations.

DL: What would you design and who would you design for if you had the time?

XC : My design style is deeply rooted in cultural and urban considerations, aiming to create spaces that are both visually appealing and functionally efficient. I prioritize a fluid experience within my designs, promoting seamless movement and interaction. Additionally, I integrate elements that reflect the cultural context of each project, whether through materials or spatial arrangements, to honor the heritage and identity of the place. This approach results in thoughtful, culturally sensitive designs that foster community, connection, and a sense of belonging for users.

DL: What is the dream project you haven’t yet had time to realize?

XC : The dream project I have yet to realize involves architectural designs that explore the intricate relationship between robotics or machines. Given the rapid advancements in technology, I am eager to delve into projects that focus on integrating these innovations into our built environment thoughtfully and purposefully. I believe that designing spaces that effectively utilize technology can greatly enhance functionality, efficiency, and overall user experience.

DL: What is your secret recipe of success in design, what is your secret ingredient?

XC : My design philosophy centers on the exploration of scale, ranging from the human scale to that of the city and culture. I deeply consider the civic experience and functionality of spaces, viewing design as an endless exploration. Architects must respond to these varied elements, and I believe architecture should serve as the intermediary for balancing these scales. Each decision is made with a profound understanding of how it affects the human experience within the context of the broader cityscape and cultural fabric.

DL: Who are some other design masters and legends you get inspired from?

XC : In my life, I've been profoundly inspired by various artists and architects, including Chiharu Shiota, Zaha Hadid, Santiago Calatrava, Carlo Scarpa, and many others. They serve as my foundational inspiration, instilling in me the confidence to reimagine architecture, art, and philosophy in a unique and interconnected manner. For me, these realms are never separate topics but deeply connected and intertranslatable, shaping my perspective and approach to creative expression.

DL: What are your favorite designs by other designers, why do you like them?

XC : I find inspiration in a wide range of designs, but recently, I've been particularly drawn to those that incorporate Chinese elements. These designs beautifully blend traditional Chinese zen culture with modern aesthetics, creating a captivating fusion that resonates with me deeply. I admire how they seamlessly integrate ancient wisdom and symbolism into contemporary living spaces, offering a harmonious balance between tradition and innovation.

DL: What is your greatest design, which aspects of that design makes you think it is great?

XC : One of my most significant designs is "The Museum of Uncertainty," situated in the La Brea Tar Pits of Los Angeles. This project holds special significance to me due to its deep connection to the site's rich history. From the outset, my goal was to honor and elevate this unique location into a dynamic hub for exploration. Crafted from wood and concrete, the museum comprises three distinct structures that seamlessly blend modern architecture with prehistoric elements. It offers visitors a captivating journey through the tar pits' history, with exhibition spaces designed to showcase fossils and excavation findings. What sets this design apart is its ability to provide an immersive experience while reinterpreting the narratives of the tar pits' past. Another notable project is the multifunctional community center with a college sports field. Inspired by the site's diverse topography, characterized by varying slopes, the design incorporates folding elements to emulate and enhance these natural features. These folded elements not only mirror the site's topography but also contribute to the project's unique aesthetic qualities, creating a harmonious blend of functionality and visual appeal.

DL: How could people improve themselves to be better designers, what did you do?

XC : Be confident at your work and do not be afraid to reach out to your professors or other mentors for professional advices. And always eager to learn more.

DL: If you hadn’t become a designer, what would you have done?

XC : Probably an artist or a painter.

DL: How do you define design, what is design for you?

XC : For me, design is about reactivating and discussing the intricate relationships between humans and their urban environments, experiences, and social roles. Through design, we can address and respond to society's evolving needs, creating beautiful and purposeful environments.

DL: Who helped you to reach these heights, who was your biggest supporter?

XC : My parents have been my biggest supporters, helping me reach where I am today. Ever since I was a kid, they've been there for me, always encouraging and guiding me. Their constant belief in me and my dreams has made all the difference in my journey as a designer.

DL: What helped you to become a great designer?

XC : I owe a lot to the amazing mentors who have guided me along the way, including my professors and mentors at work. Additionally, my friends and family have been incredibly supportive, always cheering me on. Their help and encouragement have been crucial in my journey to becoming a great designer.

DL: What were the obstacles you faced before becoming a design master?

XC : For both "The Folding Boat" and "The Museum of Uncertainty," the main challenges revolved around integrating diverse materials and crafts. Balancing modern architectural elements with prehistoric components, like showcasing fossils within the tar, required meticulous planning and collaboration. Ensuring structural integrity while incorporating interactive and educational elements added to the complexity. To overcome these challenges, I conducted extensive research and consultations. I adopted a multidisciplinary approach, collaborating with experts in materials engineering, preservation, and interactive design in both US and China. This teamwork and dedication were crucial in navigating the obstacles and bringing these projects to life.

DL: How do you think designers should present their work?

XC : It's important to convey your vision and enthusiasm clearly, showing how much you believe in the value and impact of your design. Confidence and passion help engage your audience and demonstrate the thought and effort behind your work.

DL: What’s your next design project, what should we expect from you in future?

XC : My next design project focusing on the residential projects, with a special emphasis on integrating Chinese elements. Drawing from my heritage and roots, I aim to infuse cultural richness and symbolism into my designs, creating spaces that resonate deeply with their surroundings. Expect to see a fusion of modern design principles with traditional Chinese aesthetics, as I continue to push boundaries and contribute meaningfully to the built environment.

DL: What’s your ultimate goal as a designer?

XC : I want to create spaces that seamlessly blend cultural richness with functional efficiency. I prioritize a fluid experience within my designs, ensuring seamless movement and interaction for users. Each project is imbued with elements that reflect its cultural context, whether through materials or spatial arrangements, honoring the heritage and identity of the place. By fostering community, connection, and a sense of belonging, I aim to create thoughtful, culturally sensitive designs that enrich the lives of those who inhabit them.

DL: What people expect from an esteemed designer such as yourself?

XC : Many times, I'm tasked with designing projects that blend innovation with a deep respect for traditional aesthetics. Clients expect designs that break new ground and infuse fresh ideas, all while paying homage to the cultural and historical significance of the space. It's this delicate harmony between innovation and tradition that distinguishes esteemed designers. Their skill lies in crafting spaces that are both forward-thinking and timeless, leaving a lasting impact on those who experience them.

DL: How does design help create a better society?

XC : I firmly believe that design possesses the transformative ability to ignite positive change, foster inventive problem-solving, and mold environments that uplift and empower individuals. By crafting spaces and experiences that resonate deeply with people on cultural, social, and emotional levels, designers actively contribute to the overall well-being and advancement of society.

DL: What are you currently working on that you are especially excited about?

XC : My next design project focusing on furthering my exploration of residential projects, with a special emphasis on integrating Chinese elements. Drawing from my heritage and roots, I aim to infuse cultural richness and symbolism into my designs, creating spaces that resonate deeply with their surroundings. Expect to see a fusion of modern design principles with traditional Chinese aesthetics, as I continue to push boundaries and contribute meaningfully to the built environment.

DL: Which design projects gave you the most satisfaction, why?

XC : "The Museum of Uncertainty" stands out as a deeply gratifying project due to its profound connection to the site's rich history. From the project's inception, there was a dedicated commitment to preserving and enhancing this unique location, transforming it into a dynamic center for exploration. Situated amidst the historical significance of the La Brea Tar Pits in Los Angeles, the museum comprises three distinct structures crafted from wood and concrete. This design seamlessly blends modern architectural elements with prehistoric features, providing visitors with profound insights into the tar pits' history within its exhibition spaces. By transforming the tar itself into a space for showcasing fossils and excavation, the design offers a reinterpretation of the potential stories from the tar pits' past, providing an immersive and enlightening experience for visitors. Similarly, the folding boat project has been deeply satisfying due to its innovative approach and connection to the site's unique topography. Inspired by the diverse slopes of the landscape, the design utilizes folding elements to emulate and enhance the site's features. These folded elements not only mirror the topography but also contribute to the project's distinct aesthetic qualities, creating a harmonious blend of functionality and visual appeal.

DL: What would you like to see changed in design industry in the coming years?

XC : I am confident that the burgeoning wave of technology will significantly shift our design approach towards a more technology-oriented direction, emphasizing AI, AR, and VR. There are already numerous tools available to support this transition, and I firmly believe that we are only at the beginning of this transformative journey.

DL: Where do you think the design field is headed next?

XC : I believe a transformative evolution in the design industry through the integration of advanced technologies like AI, VR, and AR. These innovations will revolutionize decision-making processes, encompassing analysis, research, rendering, and model making. This shift doesn't diminish the significance of traditional craftsmanship; rather, it opens new dimensions for designers to seamlessly blend artistry into the transitions between virtual and physical spaces. As designers take on the role of technology orchestrators, I am consistently eager to expand my knowledge within the creative process.

DL: How long does it take you to finalize a design project?

XC : Months to years.

DL: When you have a new design project, where do you start?

XC : My design process begins with setting clear goals and conducting thorough research. I then explore initial ideas through sketches and brainstorming sessions. These ideas are refined into coherent concepts during the preconcept and concept phases. From there, I develop detailed designs through schematic and design development, collaborating with consultants and subcontractors as needed. The final stage involves producing comprehensive construction documentation.

DL: What is your life motto as a designer?

XC : from Dieter Rams: "Less, but better."

DL: Do you think design sets the trends or trends set the designs?

XC : I believe design and trends have a mutual influence on each other. Designers often set new trends through innovative ideas and creative solutions, while at the same time, trends can inspire and shape design approaches. This dynamic relationship allows for continuous evolution and adaptation within the design field.

DL: What is the role of technology when you design?

XC : Technology is key in my design process, aiding in visualization and bringing ideas to life efficiently. From software like Rhino and Revit to AR and VR, it enhances creativity and decision-making. It helps me push design boundaries and deliver better results for clients and communities.

DL: What kind of design software and equipment do you use in your work?

XC : In my design toolkit, I use software and applications to bring my ideas to life. Key tools include Rhino, Enscape, AutoCAD, Revit, and the Adobe Suite, which provide the necessary tools for 3D modeling, rendering, drafting, and graphic design. Apart from digital tools, I also draw inspiration from books, architectural publications, and online resources, immersing myself in diverse design perspectives and ideas.

DL: What is the role of the color, materials and ambient in design?

XC : I believe that the mix of colors, materials, and ambient elements is crucial in creating rich and immersive experiences in design. In architectural design, I particularly enjoy the interplay between wood, metal, concrete, and glass. Each material brings its unique qualities to a project, contributing to distinct atmospheres and experiences. By thoughtfully combining these materials, we can enhance the overall impact of the design, making it more dynamic and engaging. This mix not only adds aesthetic value but also helps to create spaces that are functional, comfortable, and reflective of their cultural and environmental context.

DL: What do you wish people to ask about your design?

XC : I wish people would ask about the stories and cultural inspirations behind my designs. Understanding the narrative and thought process that shaped the project allows for a deeper appreciation of the work. I also hope they inquire about how the design impacts the users' experience and interactions, as this is a key focus in my approach to creating meaningful and functional spaces.

DL: When you see a new great design or product what comes into your mind?

XC : When I see a new great design or product, three things come to mind: aesthetics, functionality, and user-centered approach. I also consider the sustainability of the design, evaluating how well it balances beauty, practicality, and environmental responsibility.

DL: Who is your ideal design partner? Do you believe in co-design?

XC : I definitely believe in co-design and value having a design partner. An ideal design partner brings fresh perspectives and innovative ideas, enhancing the creative process and resulting in more comprehensive and well-rounded designs. Working collaboratively allows for a richer exchange of ideas and ultimately leads to more impactful and meaningful outcomes.

DL: Which people you interacted had the most influence on your design?

XC : I’ve never had the chance to interact with them personally, but certain architects and artists have played significant roles in shaping my design thinking and process. Figures like Chiharu Shiota, Zaha Hadid, Santiago Calatrava, and Carlo Scarpa have profoundly influenced me. They inspire me to see architecture, art, and philosophy as interconnected disciplines rather than separate fields. This perspective has given me the confidence to reimagine and innovate within my work, always striving to create designs that reflect a harmonious blend of these elements.

DL: Which books you read had the most effect on your design?

XC : "Delirious New York" had a significant impact on my design perspective. It offered a fresh look at the interplay between urban planning, architecture, and individual experiences, shaping how I approach and conceptualize my projects.

DL: How did you develop your skills as a master designer?

XC : Working alongside talented colleagues and mentors has been particularly influential, as their guidance and shared experiences have provided invaluable insights and lessons.

DL: Irrelative of time and space, who you would want to meet, talk and discuss with?

XC : Meeting Zaha Hadid, regardless of time and space, would be an incredible opportunity. As a female architect, her groundbreaking achievements in modern architecture history continue to inspire me. I would love to engage in a conversation with her, discussing her innovative design approaches, her challenges and triumphs in a male-dominated industry, and her vision for the future of architecture. Her unique perspective and trailblazing spirit would undoubtedly provide invaluable insights and inspiration for my own design journey.

DL: How do you feel about all the awards and recognition you had, is it hard to be famous?

XC : As I'm still establishing myself as an architectural designer, I don't see myself as famous. However, these acknowledgments validate my commitment to design and motivate me to keep exploring creative possibilities. Each award reminds me of the impact my designs have had and pushes me to aim for excellence in future projects. Professionally, these accolades boost my credibility and could open doors to new opportunities and collaborations. Overall, these achievements fuel my passion for design, and I'm eager to keep contributing positively to the world of architecture and creativity.

DL: What is your favorite color, place, food, season, thing and brand?

XC : In terms of food, I have a penchant for sushi, with its delicate flavors and exquisite presentation. As for my favorite season, I adore the vibrant colors and crisp air of autumn, perfect for cozy evenings and scenic walks.

DL: Please tell us a little memoir, a funny thing you had experienced as a designer?

XC : Well, one time, I was so engrossed in sketching out a design idea that I accidentally used my coffee mug as a makeshift pencil holder. I didn't even realize until I took a sip and got a mouthful of graphite! It was a silly moment, but it reminded me to always double-check before taking a drink at my desk.

DL: What makes your day great as a designer, how do you motivate yourself?

XC : A mix of emotions. I feel deeply inspired by the creative possibilities that each project presents, fueling my enthusiasm and driving me to explore innovative solutions. However, there are moments of stress as well, particularly when navigating complex design problems or tight deadlines.

DL: When you were a little child, was it obvious that you would become a great designer?

XC : Becoming an architect and designer felt like a natural path for me from a young age. Growing up, I developed a deep appreciation for art, and witnessing the urban reconstruction process in China strongly influenced my personal aspirations. Seeing the neglect of cultural and human aspects in the reconstruction made me realize the power of creativity to extend beyond function or aesthetics alone. It became clear to me that design should resonate with human experiences, emotions, and our connection to the urban landscape. Inspired by visionaries like Chiharu Shiota and Zaha Hadid, I realized that art requires a spatial quality for maximum impact. For me, art and design intersect deeply, transcending mere functionality or visual aesthetics; they bear deep societal transformation and serve as a medium for conveying cultural narratives. This belief fueled my desire to reshape how I perceived architecture and visual art – not just as visual subjects but as social stories.

DL: What do you think about future; what do you see will happen in thousand years from now?

XC : robots? cyborgs haha Who knows, maybe we'll be designing alongside cyborgs or even designing for them!