Design Legends ("DL") had the distinct honour to interview legendary designer seike hisashi ("SH") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
SH : I studied interior design at university. During that time, I saw many restaurants and bars designed by designers that were popular. Around the same time, there were many works by architects like Tadao Ando and Yoshiji Takehara, and I visited various buildings.
SH : When I was 10 years old, I was praised by my teacher for designing a house layout during a school lesson. At that time, the teacher also told me about a famous architect who shared my surname. It was then that I became aware of the profession involving spatial design. From that moment on, my dream for the future became to be a spatial designer.
SH : I naturally decided to pursue this path as if it were the obvious choice.
SH : I design restaurants, bars, retail stores, and offices. I aspire to design hotels.
SH : I believe it is important to travel to various places, see things, and meet different people.
SH : I consider it crucial to deeply understand and express the background and purpose of the usage.
SH : I believe it's not just about surface appeal, but also about controlling the flow of air.
SH : I believe in utilizing the power of design for positive outcomes, thereby steering the world towards a better direction.
SH : I aspire to design everything I come into contact with.
SH : I would like to pursue a job where I can showcase the positive aspects of Japan in various countries.
SH : I consider it important to learn about many things and experiences.
SH : I have many inspirations, but architects from the generation of Tadao Ando and Yoshiji Takehara are my idols.
SH : I am fond of the SUPERLEGGERA chair designed by GIO PONTI. The first time I saw it in person, I was deeply moved and impressed by its beauty and impact.
SH : I consider all of them to be the best, so it's difficult to narrow it down to just one proposal.
SH : When I was young, I made it a point to visit various places, see things, and meet different people as much as possible.
SH : It's hard to imagine, but I think I was working independently on tasks that could be completed by myself.
SH : I consider design to be the very essence of vitality in my life.
SH : Certainly, they are family to me.
SH : Believing in oneself is crucial.
SH : I am not adept at speaking eloquently.
SH : Expressing that the work is perceived as the best for the client is paramount, so ensuring this perspective is not forgotten in our expressions.
SH : I'm considering designing for the metaverse and virtual spaces.
SH : A timeless design that will be talked about for generations to come.
SH : Designing spaces that organize and express the client's sentiments with multiple layers of astonishment.
SH : I believe that through the flow of air in a space, one can feel happiness and become kinder just by speaking about the space itself. I think it's possible to create and circulate such atmospheres.
SH : I have started studying virtual spaces, and I am excited to see that virtual spaces are expanding more than I imagined, becoming commonplace worldwide.
SH : I consider each option to be the best and therefore find it difficult to narrow down to just one proposal.
SH : In Japan, I hope to leverage the power of design to ensure the continued utilization of traditional materials and techniques, which are currently at risk of being lost.
SH : I believe that the resonance between virtual space and physical space will advance further through design.
SH : It will take about 3 to 4 months.
SH : Examining the surroundings of the project involves understanding its historical context.
SH : Continuity is strength.
SH : I believe it is healthier for trends to be determined by design because of its influential power.
SH : I consider it a tool that accurately expresses images.
SH : Primarily, we utilize Computer-Aided Design (CAD) for drawing blueprints and creating CG (Computer Graphics).
SH : I consider it an important factor influencing the airflow within a space.
SH : Regarding the design of Japanese restaurants.
SH : I envision being involved in designs that can evoke such profound emotions.
SH : I am someone who possesses perspectives that I do not have.
SH : There are many, but architects of the generation such as Tadao Ando and Yoshiji Takehara are my role models.
SH : I read a lot of books that Tadao Ando is featured in.
SH : The design firm where I previously worked allowed me to participate in the design process from start to finish, regardless of the scale of the projects.
SH : I would like to have a conversation with my college self.
SH : In Japan, since there are no established evaluation criteria for interior designers, receiving various awards can lead to a sense of confidence.
SH : I find the changing seasons in Japan both melancholic and captivating.
SH : When I enter restaurants, I sometimes get cautioned by the staff because I tend to touch the walls or fabrics too much and observe them closely.
SH : Every morning, I encourage myself by viewing the website of the shop I designed, checking for updates and seeing the effort put into its operation.
SH : I believe that my confidence in becoming a great designer has been instrumental in getting me this far.
SH : Observing the current flow of humanity, I feel that, like programmed into Earth's system, we might naturally perish as unnecessary beings to the planet.
SH : As a typical old-fashioned Japanese person who struggles with speaking in public, I also constantly aspire to engage with and learn from various people as a designer. Therefore, I would like to candidly encourage others to approach me for discussions.
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