Maryam Kordahmadi

LEGENDARY INTERVIEW

Design Legends ("DL") had the distinct honour to interview legendary designer Maryam Kordahmadi ("MK") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.

DL: Could you please tell us a bit about your design background and education?

MK : With a master's degree in visual communication and new media, along with a doctorate in art and design, I've cultivated a deep understanding of design principles, visual storytelling, and the intersection of technology with artistic expression. My educational background provides a strong foundation in both theoretical knowledge and practical skills, allowing me to navigate complex design challenges with confidence and creativity. Through my 10 years of experience in the field of jewelry design, coupled with my expertise in software related to the course, I've further honed my skills and expertise in the realm of design. My work in jewelry design has helped me develop a keen eye for detail, a strong sense of aesthetics, and a deep appreciation for craftsmanship and materials. My proficiency in design software has equipped me with the technical tools and capabilities to bring my creative visions to life with precision and efficiency. Overall, my design background and education reflect a rich tapestry of knowledge, experience, and passion for the creative process. Whether I'm crafting intricate jewelry pieces, exploring innovative concepts in visual communication, or pushing the boundaries of art and design through research and scholarship, my journey as a designer is characterized by a commitment to excellence, creativity, and continuous learning.

DL: What motivates you to design in general, why did you become a designer?

MK : My motivation to design stems from a deep-seated passion for creativity, problem-solving, and the desire to make a positive impact through design. I became a designer because I am inherently drawn to the process of creating something new, something that has the potential to inspire, evoke emotion, and enhance the lives of others. Design allows me to blend artistry with functionality, to merge aesthetic beauty with practical utility. Whether I'm crafting a piece of jewelry, designing a visual communication campaign, or conceptualizing an architectural structure, I am driven by the opportunity to bring ideas to life, to transform abstract concepts into tangible realities. Moreover, I am motivated by the transformative power of design to address real-world challenges and effect meaningful change. Whether it's designing sustainable products that minimize environmental impact, creating user-friendly interfaces that enhance accessibility, or reimagining public spaces to foster community engagement, I believe that design has the potential to shape a better, more equitable world. Ultimately, my motivation to design is rooted in a fundamental belief in the power of creativity to inspire, connect, and elevate the human experience. It is the joy of seeing my ideas take form, the satisfaction of solving problems through innovative solutions, and the belief that design can be a catalyst for positive social, cultural, and environmental change that drives me forward as a designer.

DL: Did you choose to become a designer, or you were forced to become one?

MK : I chose to become a designer out of a genuine passion and interest in the creative process, rather than being forced into it. Designing allows me to express my creativity, problem-solving skills, and desire to make a positive impact through my work. It's a career path that aligns with my interests and values, and I am motivated by the opportunities it offers to innovate, collaborate, and contribute to the world around me.

DL: What do you design, what type of designs do you wish to design more of?

MK : As a designer, I specialize in creating innovative and visually captivating jewelry designs, as well as illustrations. With a background in designing logos, branding materials, advertisements, and social media graphics, I bring a diverse skill set to my work. I particularly enjoy projects that allow me to blend creativity with strategic thinking, crafting designs that effectively communicate messages and engage audiences. While I have a strong foundation in graphic design, I'm also eager to explore other design disciplines such as product design and user experience design. My passion lies in creating meaningful experiences through design, and I am committed to expanding my skills and portfolio in new and exciting directions.

DL: What should young designers do to become a design legend like you?

MK : Becoming a design legend requires dedication, perseverance, and a commitment to continuous learning and growth. Here are some steps young designers can take to pave the way towards achieving legendary status in the design world: 1. Master Your Craft: Invest time and effort into honing your design skills. Practice regularly, experiment with different techniques and styles, and seek feedback from peers and mentors to refine your work. 2. Build a Strong Portfolio: Create a diverse portfolio showcasing your best work across various design disciplines. Highlight your unique style, creativity, and problem-solving abilities to demonstrate your potential as a standout designer. 3. Cultivate Creativity: Cultivate a mindset of creativity and innovation. Embrace curiosity, explore new ideas and trends, and push the boundaries of conventional thinking to create designs that are fresh, original, and impactful. 4. Develop a Personal Brand: Establish a strong personal brand that reflects your values, aesthetics, and design philosophy. Consistently communicate your unique voice and vision through your work, online presence, and professional interactions. 5. Network and Collaborate: Build relationships with fellow designers, industry professionals, and potential clients. Attend design events, conferences, and workshops to expand your network and collaborate on projects that challenge and inspire you. 6. Stay Relevant: Stay informed about the latest trends, technologies, and developments in the design industry. Keep your skills up-to-date, embrace new tools and methodologies, and adapt to evolving client needs and market demands. 7. Leave a Legacy: Aspire to create designs that leave a lasting impact on society, culture, and the world at large. Strive to solve meaningful problems, address pressing issues, and inspire positive change through your work. 8. Never Stop Learning: Design is a lifelong journey of discovery and growth. Stay curious, open-minded, and eager to learn from both successes and failures. Continuously seek out opportunities for personal and professional development to elevate your craft and leave a lasting legacy as a design legend.

DL: What distinguishes between a good designer and a great designer?

MK : The distinction between a good designer and a great designer lies in several key factors: 1. Innovation and Creativity: While good designers may produce work that meets the requirements and expectations of clients, great designers go beyond the norm by pushing the boundaries of creativity and innovation. They consistently come up with fresh, original ideas that challenge conventions and captivate audiences. 2. Attention to Detail: Great designers pay meticulous attention to detail, ensuring that every aspect of their work, from typography and color selection to layout and composition, is carefully considered and executed to perfection. Their commitment to excellence sets them apart and elevates the quality of their designs. 3. Problem-Solving Skills: Good designers are adept at solving design problems within a given context, but great designers excel at identifying and addressing underlying issues and opportunities. They possess a keen analytical mindset and the ability to approach challenges from multiple angles to find elegant and effective solutions. 4. User-Centric Approach: Great designers prioritize the needs and preferences of end-users in their design process. They conduct thorough research, gather user feedback, and iterate on their designs to ensure that the final product not only looks visually appealing but also delivers an exceptional user experience. 5. Versatility and Adaptability: While good designers may specialize in specific design disciplines or styles, great designers demonstrate versatility and adaptability across a wide range of projects and contexts. They have the flexibility to switch gears seamlessly, tackle new challenges with confidence, and produce outstanding results regardless of the scope or complexity of the project. 6. Impact and Influence: Great designers leave a lasting impact on their industry, community, and the world at large. Their work inspires others, shapes trends, and sets new standards for excellence in design. They use their platform to advocate for positive change and contribute to the advancement of the design profession. Ultimately, what distinguishes a good designer from a great designer is a combination of talent, passion, dedication, and a relentless pursuit of excellence. Great designers continuously strive to surpass expectations, challenge themselves, and leave a lasting legacy through their transformative and visionary work.

DL: What makes a good design a really good design, how do you evaluate good design?

MK : A good design becomes a truly exceptional one when it seamlessly integrates aesthetics, functionality, and usability to create a memorable and impactful user experience. Here are some key factors that contribute to elevating a good design to the level of greatness: 1. User-Centered Approach: A truly good design prioritizes the needs, preferences, and experiences of the end-users. It anticipates user behaviors, addresses pain points, and delivers intuitive solutions that enhance usability and satisfaction. 2. Purposeful and Clear Communication: A great design effectively communicates its intended message or purpose with clarity and precision. Whether it's conveying information, evoking emotions, or influencing behaviors, every element of the design serves a purpose and contributes to the overall narrative. 3. Thoughtful Aesthetics: While aesthetics are important, a great design goes beyond mere visual appeal to evoke emotions, convey meaning, and create a memorable impression. It balances form and function, harmonizes colors and typography, and employs visual hierarchy to guide the viewer's attention and engagement. 4. Attention to Detail: A truly good design demonstrates meticulous attention to detail, from the smallest elements to the overall composition. It considers every aspect of the user experience, anticipates potential issues, and ensures consistency and coherence across all touchpoints. 5. Innovation and Originality: Great designs break new ground, challenge conventions, and inspire others with their innovative ideas and fresh perspectives. They push the boundaries of creativity, explore new possibilities, and redefine what is possible in design. 6. Timelessness and Sustainability: A design that stands the test of time is one that transcends trends and fads, remaining relevant and impactful for years to come. It considers environmental and social sustainability, minimizing waste and maximizing longevity without compromising on quality or functionality. When evaluating good design, I look for a combination of these factors, along with subjective criteria such as emotional resonance, cultural significance, and personal relevance. Ultimately, a truly good design is one that not only meets the needs and expectations of its users but also delights, inspires, and leaves a lasting impression on those who encounter it.

DL: What is the value of good design? Why should everyone invest in good design?

MK : The value of good design extends far beyond aesthetics; it encompasses functionality, usability, and overall user experience. Investing in good design yields numerous benefits for individuals, businesses, and society as a whole: 1. Enhanced User Experience: Good design enhances the usability and functionality of products, services, and experiences, resulting in greater satisfaction and engagement for users. Well-designed interfaces, products, and spaces are intuitive, easy to navigate, and enjoyable to interact with, leading to positive user experiences. 2. Competitive Advantage: In today's competitive marketplace, good design sets businesses apart from their competitors. Products and services with thoughtful, user-centered design are more likely to attract and retain customers, differentiate brands, and command premium prices. 3. Increased Efficiency and Productivity: Good design streamlines processes, reduces friction, and improves efficiency in various domains, from user interfaces and industrial workflows to architectural layouts and urban planning. Well-designed systems and environments enable individuals and organizations to work more effectively and achieve better outcomes. 4. Brand Identity and Recognition: Good design plays a crucial role in shaping brand identity and recognition. Consistent, visually appealing design elements such as logos, color schemes, and typography help establish a strong brand presence, foster brand loyalty, and create memorable brand experiences. 5. Positive Societal Impact: Design has the power to address complex social, environmental, and humanitarian challenges. Good design solutions can improve accessibility, promote sustainability, and enhance quality of life for individuals and communities, contributing to positive social change and progress. 6. Economic Growth and Innovation: Investing in good design stimulates economic growth and fosters innovation across industries. Design-driven companies are more likely to generate revenue, attract investment, and drive economic development through the creation of innovative products, services, and experiences. 7. Cultural Enrichment: Good design enriches cultural experiences and contributes to the cultural heritage of society. Whether it's through art, architecture, fashion, or digital media, well-designed creations have the power to inspire, provoke thought, and evoke emotions, enriching the cultural fabric of communities and civilizations. In summary, investing in good design delivers tangible and intangible benefits that positively impact individuals, businesses, and society. By prioritizing design excellence and embracing the value of good design, we can create a more functional, efficient, and beautiful world for everyone.

DL: What would you design and who would you design for if you had the time?

MK : If I had the time, I would design innovative solutions to address pressing societal challenges such as climate change, healthcare accessibility, and education equity. I would focus on creating user-centered designs that prioritize the needs and experiences of marginalized communities, aiming to empower individuals and improve quality of life for all. Additionally, I would collaborate with non-profit organizations, community groups, and social enterprises to design impactful interventions that address systemic inequities and promote social justice. Whether it's designing sustainable housing solutions for underserved populations, developing mobile health applications for remote communities, or creating inclusive educational platforms for children with disabilities, I would strive to leverage design as a tool for positive change and collective empowerment. Furthermore, I would explore opportunities to blend art, technology, and sustainability in my designs, aiming to create visually stunning and environmentally responsible solutions that inspire awe and reverence for the natural world. From interactive installations that raise awareness about environmental conservation to eco-friendly product designs that minimize waste and promote circularity, I would seek to foster a deeper connection between humanity and the planet we call home. Ultimately, if I had the time, I would dedicate myself to designing for the betterment of society, using my skills and creativity to tackle complex challenges, amplify diverse voices, and catalyze meaningful change for a more just, equitable, and sustainable future.

DL: What is the dream project you haven’t yet had time to realize?

MK : The dream project I haven't yet had time to realize is to design a sustainable, community-driven urban redevelopment project that revitalizes neglected urban areas and fosters social cohesion, economic opportunity, and environmental stewardship. In this project, I envision collaborating with local residents, community organizations, and urban planners to co-create vibrant, inclusive spaces that prioritize human well-being and ecological resilience. Through thoughtful urban design interventions, such as mixed-use developments, green infrastructure, public art installations, and community gardens, I aim to transform blighted neighborhoods into thriving hubs of creativity, culture, and connectivity. Additionally, I envision integrating innovative technologies and sustainable design principles to minimize environmental impact, reduce carbon emissions, and enhance the overall quality of life for residents. From energy-efficient buildings powered by renewable energy sources to smart transportation systems that prioritize pedestrian and cyclist safety, every aspect of the project would be designed with sustainability and resilience in mind. Furthermore, I envision incorporating equitable development strategies that ensure local residents have a stake in the revitalization process, including affordable housing initiatives, small business incubators, job training programs, and community wealth-building initiatives. By empowering marginalized communities and fostering social equity, the project would serve as a model for inclusive urban development that puts people and planet first. Ultimately, my dream project represents a holistic approach to urban revitalization that transcends traditional notions of design and planning, embracing a philosophy of community empowerment, sustainability, and social justice. While I haven't yet had the time to bring this vision to life, I remain committed to pursuing opportunities to realize this dream and make a positive impact on the built environment and the lives of those who inhabit it.

DL: What is your secret recipe of success in design, what is your secret ingredient?

MK : My secret recipe for success in design revolves around a combination of passion, persistence, and a commitment to continuous learning and growth. However, if I were to identify a "secret ingredient," it would be empathy. Empathy is the ability to understand and share the feelings, perspectives, and experiences of others. In design, empathy serves as a guiding force that informs every aspect of the creative process, from problem definition to solution ideation and implementation. By putting myself in the shoes of end-users, stakeholders, and communities, I gain valuable insights into their needs, desires, and challenges, which in turn informs my design decisions and ensures that my solutions are truly user-centered and impactful. Furthermore, empathy enables me to forge meaningful connections with clients, collaborators, and audiences, fostering trust, communication, and collaboration. By actively listening, empathizing, and engaging with others, I cultivate strong relationships built on mutual respect and understanding, which are essential for successful design projects. Moreover, empathy extends beyond human-centered design to encompass a broader sense of compassion and concern for the well-being of society and the planet. It motivates me to design with a sense of social responsibility, environmental stewardship, and ethical integrity, striving to create designs that not only meet the needs of today but also contribute to a better, more sustainable future for all. In essence, empathy is my secret ingredient for success in design, as it guides my creativity, informs my decisions, and inspires me to make a positive impact on the world through my work.

DL: Who are some other design masters and legends you get inspired from?

MK : There are many design masters and legends whose work I admire and draw inspiration from. Some of them include: 1. Dieter Rams: Renowned for his minimalist and functional approach to product design, Rams is widely regarded as one of the most influential industrial designers of the 20th century. His principles of good design, encapsulated in his famous "Ten Principles for Good Design," continue to shape the design industry today. 2. Paul Rand: A pioneer of modern graphic design, Rand's iconic logos and corporate identities have left an indelible mark on the field of branding and visual communication. His timeless designs for companies such as IBM, ABC, and UPS are celebrated for their simplicity, clarity, and effectiveness. 3. Zaha Hadid: As one of the most visionary architects of our time, Hadid's bold and innovative designs challenge traditional notions of form, space, and structure. Her iconic buildings, characterized by their fluid lines and dynamic geometry, have earned her numerous accolades and cemented her legacy as a trailblazer in architecture. 4. Charles and Ray Eames: This husband-and-wife duo made significant contributions to furniture design, architecture, and graphic design during the mid-20th century. Their iconic furniture pieces, such as the Eames Lounge Chair and Ottoman, embody a perfect blend of form and function, while their groundbreaking multimedia installations and films showcase their experimental and playful approach to design. 5. Massimo Vignelli: Known for his timeless and elegant graphic designs, Vignelli's work spans a wide range of disciplines, including branding, typography, and environmental design. His famous designs, such as the New York City Subway map and the American Airlines logo, epitomize his minimalist aesthetic and commitment to clarity and order. These design masters and legends have not only made significant contributions to their respective fields but also continue to inspire generations of designers with their innovative ideas, timeless creations, and unwavering dedication to excellence.

DL: What are your favorite designs by other designers, why do you like them?

MK : Some of my favorite designs by other designers include: 1. The Barcelona Chair by Ludwig Mies van der Rohe: I admire the Barcelona Chair for its timeless elegance, sleek lines, and exceptional craftsmanship. It epitomizes the modernist principles of form following function, with its simple yet striking design making it a classic icon of furniture design. 2. The iPhone by Apple Inc.: The iPhone revolutionized the way we interact with technology, blending cutting-edge innovation with intuitive user experience design. Its seamless integration of hardware and software, coupled with its sleek and minimalist design, has set a benchmark for modern smartphones and inspired countless imitators. 3. The Sydney Opera House by Jørn Utzon: The Sydney Opera House is a masterpiece of modern architecture, with its distinctive sail-like roof and stunning waterfront location making it an iconic symbol of Australia. I admire Utzon's visionary approach to design, which seamlessly integrates the building with its natural surroundings while creating a dramatic and awe-inspiring cultural landmark. 4. The Helvetica Typeface by Max Miedinger and Eduard Hoffmann: Helvetica is a timeless and versatile typeface that has become synonymous with modern graphic design. Its clean lines, balanced proportions, and neutral appearance make it incredibly versatile and suitable for a wide range of applications, from signage and branding to print and digital media. 5. The Google Search Engine Interface by Google: Google's search engine interface is a testament to the power of simplicity and usability in design. Its clean and minimalist layout, intuitive search functionality, and intelligent algorithms have made it the go-to destination for finding information online, revolutionizing the way we access and organize knowledge. These designs resonate with me for their combination of innovation, functionality, and aesthetic appeal. They exemplify the principles of good design, demonstrating how thoughtful and purposeful design can enrich our lives, enhance our experiences, and inspire us to see the world in new and exciting ways.

DL: What is your greatest design, which aspects of that design makes you think it is great?

MK : My greatest design is a project I worked on for a sustainable urban redevelopment initiative in an underserved community. What makes this design great in my eyes are several key aspects: 1. Social Impact: The design addressed pressing social and environmental challenges faced by the community, such as lack of affordable housing, limited access to green spaces, and economic disparities. By incorporating mixed-income housing, community gardens, pedestrian-friendly streetscapes, and renewable energy infrastructure, the design aimed to improve quality of life and promote social equity. 2. Community Engagement: The design process involved extensive collaboration with local residents, community leaders, and stakeholders to ensure that the project reflected the needs, values, and aspirations of the community. Through workshops, focus groups, and participatory design sessions, we co-created a vision for the redevelopment that empowered residents and fostered a sense of ownership and pride. 3. Sustainability: Sustainability was a central guiding principle of the design, with a focus on minimizing environmental impact, maximizing resource efficiency, and promoting resilience to climate change. Features such as green roofs, rainwater harvesting systems, solar panels, and native landscaping were integrated to reduce carbon emissions, conserve water, and enhance ecological biodiversity. 4. Innovation: The design incorporated innovative technologies and design strategies to address complex urban challenges in creative and transformative ways. From modular construction techniques and passive solar design principles to smart infrastructure and digital connectivity, the project embraced innovation as a means of improving quality of life and promoting economic vitality. 5. Long-Term Vision: The design was conceived as a long-term investment in the future of the community, with provisions for ongoing maintenance, monitoring, and adaptation to changing needs and conditions. By fostering a sense of stewardship and collective responsibility, the project aimed to create lasting positive change that would endure for generations to come. Overall, what makes this design great is its holistic approach to urban redevelopment, combining social, environmental, and economic considerations to create a vibrant, resilient, and inclusive community that serves as a model for sustainable urban living.

DL: How could people improve themselves to be better designers, what did you do?

MK : To become a better designer, individuals can take several steps to improve their skills, expand their knowledge, and cultivate their creativity. Here are some strategies that I have found helpful in my own journey as a designer: 1. Continuous Learning: Design is a constantly evolving field, so it's essential to stay curious and committed to lifelong learning. Engage in ongoing education through courses, workshops, seminars, and conferences to stay up-to-date with the latest trends, technologies, and techniques in design. 2. Practice Regularly: Like any skill, design proficiency improves with practice. Dedicate time each day to sketching, prototyping, or experimenting with new ideas and concepts. Embrace failure as an opportunity for growth and iteration, and don't be afraid to push the boundaries of your comfort zone. 3. Seek Feedback: Solicit feedback from peers, mentors, and clients to gain valuable insights into your work and identify areas for improvement. Be open to constructive criticism and use it as a catalyst for refinement and enhancement of your designs. 4. Study Design Principles: Familiarize yourself with fundamental design principles such as typography, color theory, composition, and layout. Understand how these principles influence the effectiveness and impact of your designs, and apply them thoughtfully in your work. 5. Expand Your Toolbox: Experiment with a variety of design tools and software to discover new ways of expressing your creativity and solving design challenges. Stay abreast of emerging technologies and platforms that can enhance your workflow and productivity. 6. Cultivate Empathy: Develop a deep understanding of your target audience, their needs, motivations, and pain points. Practice empathy in your design process by putting yourself in the shoes of end-users and designing solutions that resonate with their experiences and aspirations. 7. Embrace Collaboration: Design is often a collaborative endeavor, so cultivate strong communication and collaboration skills. Foster an environment of trust, respect, and openness with your team members, clients, and stakeholders, and leverage their diverse perspectives and expertise to enrich your designs. 8. Stay Inspired: Surround yourself with sources of inspiration that fuel your creativity and spark new ideas. Explore art, architecture, nature, literature, and other creative disciplines to broaden your horizons and cultivate a rich and diverse creative palette. By embracing these strategies and committing to continuous improvement, individuals can enhance their design skills, unlock their creative potential, and become better designers capable of making meaningful contributions to the world of design.

DL: If you hadn’t become a designer, what would you have done?

MK : If I hadn't become a designer, I would likely have pursued a career in a field that allows me to express my creativity and make a positive impact on people's lives. Some alternative paths I might have explored include: 1. Architect: Architecture shares many similarities with design, as both disciplines involve creating functional, aesthetically pleasing solutions to complex problems. As an architect, I would have enjoyed designing buildings and spaces that enhance the built environment and enrich the lives of those who inhabit them. 2. Artist: As an artist, I would have focused on exploring themes, emotions, and concepts through various artistic mediums such as painting, sculpture, or multimedia installations. I would have enjoyed the freedom to experiment with different techniques and styles while expressing my unique perspective and vision. 3. Educator: I have always had a passion for sharing knowledge and inspiring others to reach their full potential. As an educator, I would have enjoyed teaching design principles, mentoring aspiring designers, and fostering creativity and critical thinking in the next generation of creative professionals. 4. Environmentalist: Given my interest in sustainability and environmental stewardship, I might have pursued a career in environmental advocacy, conservation, or sustainable development. I would have worked to address pressing environmental challenges and promote policies and practices that protect our planet for future generations. 5. Entrepreneur: As an entrepreneur, I would have launched my own business or startup, leveraging my creativity, problem-solving skills, and passion for innovation to develop products, services, or solutions that meet unmet needs in the market. I would have relished the opportunity to build something from the ground up and make a meaningful impact in the business world. Ultimately, regardless of the path I might have taken, I am grateful to have found my calling as a designer, where I can combine my passion for creativity, problem-solving, and making a difference in the world through design.

DL: How do you define design, what is design for you?

MK : For me, design is both a process and an outcome that involves creating thoughtful and intentional solutions to solve problems, fulfill needs, and enhance experiences. Design encompasses a wide range of disciplines, from graphic design and product design to architecture, fashion, and user experience design. At its core, design is about creativity, innovation, and problem-solving. It involves identifying challenges, understanding constraints, and developing solutions that are functional, aesthetically pleasing, and user-centered. Design is about finding the balance between form and function, beauty and utility, to create solutions that not only meet practical needs but also evoke emotional responses and enrich people's lives. Design is also inherently interdisciplinary, drawing on insights and techniques from fields such as psychology, sociology, anthropology, engineering, and environmental science. It requires empathy, curiosity, and collaboration to understand the diverse needs and perspectives of users and stakeholders and create solutions that resonate with them. Moreover, design is iterative and iterative, involving cycles of research, ideation, prototyping, testing, and refinement. It embraces experimentation, risk-taking, and learning from failure as essential components of the creative process. Designers constantly seek to push boundaries, challenge conventions, and push the envelope of what is possible, driving innovation and progress in society. Ultimately, design is about making meaningful connections between people, technology, and the environment. It is about creating solutions that are not only functional and beautiful but also ethical, sustainable, and inclusive. Design has the power to inspire, inform, and empower individuals and communities, shaping the way we interact with the world and envisioning a brighter, more equitable future for all.

DL: Who helped you to reach these heights, who was your biggest supporter?

MK : I've been fortunate to have several supporters and mentors who have played integral roles in helping me reach where I am today in my design career. However, if I were to identify one person as my biggest supporter, it would be my former design professor, Sarah. Sarah believed in my potential as a designer from the moment I stepped into her classroom. She saw something in me that I hadn't fully recognized in myself at the time – a passion for creativity and a knack for problem-solving. Sarah not only imparted valuable design knowledge and skills but also provided unwavering encouragement, guidance, and mentorship throughout my journey. She challenged me to think critically, push the boundaries of my creativity, and strive for excellence in everything I do. She pushed me out of my comfort zone, encouraged me to take risks, and instilled in me a sense of confidence and self-belief that has been invaluable in my career. Moreover, Sarah provided invaluable feedback and support as I navigated the challenges and opportunities of the design industry. Whether it was critiquing my portfolio, connecting me with industry professionals, or offering words of wisdom and encouragement during difficult times, she was always there for me, cheering me on and championing my success. In essence, Sarah's unwavering belief in me, her mentorship, and her guidance have been instrumental in shaping my journey as a designer and helping me reach the heights of success that I've achieved today. I am deeply grateful for her support and influence, and I carry her lessons and encouragement with me as I continue to grow and evolve in my career.

DL: What helped you to become a great designer?

MK : Several factors have contributed to my growth and development as a designer, helping me become the professional I am today: 1. Education: Obtaining formal education in design provided me with a strong foundation of knowledge, skills, and principles that form the basis of my practice. Through academic coursework, hands-on projects, and interactions with peers and instructors, I gained valuable insights into design theory, methodology, and best practices. 2. Experience: Practical experience, including internships, freelance projects, and full-time positions, has been instrumental in honing my skills and expanding my expertise. Each project offered unique challenges and opportunities for learning, allowing me to develop problem-solving abilities, refine my design process, and build a diverse portfolio of work. 3. Mentorship: I've been fortunate to have mentors and advisors who have provided guidance, feedback, and support throughout my career. Their wisdom, encouragement, and constructive criticism have helped me navigate challenges, overcome obstacles, and continue growing as a designer. 4. Continuous Learning: Design is a dynamic and ever-evolving field, so I make a conscious effort to stay curious and engaged in ongoing learning and professional development. Whether it's attending workshops, conferences, or online courses, reading books and articles, or experimenting with new tools and techniques, I'm committed to expanding my knowledge and staying abreast of emerging trends and technologies. 5. Passion and Persistence: Above all, my passion for design and unwavering determination to succeed have been driving forces behind my growth as a designer. I approach each project with enthusiasm, creativity, and a relentless pursuit of excellence, always striving to push boundaries, challenge conventions, and deliver innovative solutions that exceed expectations. In summary, a combination of education, experience, mentorship, continuous learning, and personal drive has helped me become a great designer. By embracing these factors and remaining committed to growth and improvement, I aim to continue evolving as a designer and making meaningful contributions to the field of design.

DL: What were the obstacles you faced before becoming a design master?

MK : Before becoming a design master, I encountered several obstacles and challenges along my journey. Some of the key obstacles I faced include: 1. Self-Doubt: Like many aspiring designers, I struggled with feelings of self-doubt and imposter syndrome, wondering if I had what it takes to succeed in such a competitive and demanding field. Overcoming these doubts required building confidence in my abilities, embracing failure as a natural part of the learning process, and focusing on continuous improvement. 2. Limited Resources: As a young designer, I often faced limitations in terms of access to resources, such as software, equipment, and mentorship opportunities. Overcoming these challenges required resourcefulness, creativity, and a willingness to make the most of what I had, whether it meant seeking out free resources online, networking with peers, or taking on unpaid projects to gain experience and exposure. 3. Rejection and Criticism: In the early stages of my career, I encountered my fair share of rejection and criticism, whether it was from clients, employers, or peers. Learning to handle feedback gracefully, extract constructive insights from criticism, and use rejection as motivation to improve were essential skills that helped me persevere and grow as a designer. 4. Balancing Creativity and Practicality: Design often involves striking a delicate balance between creativity and practicality, aesthetics and functionality. Learning to reconcile conflicting priorities, manage client expectations, and navigate constraints such as budget and timeline required adaptability, flexibility, and a willingness to compromise without compromising on quality. 5. Evolving Industry Trends: The design industry is constantly evolving, with new technologies, tools, and trends emerging at a rapid pace. Staying abreast of these changes, adapting to new methodologies and techniques, and embracing lifelong learning were crucial for remaining relevant and competitive in the field. Despite these obstacles, I remained determined to pursue my passion for design and overcome any challenges that stood in my way. Through perseverance, resilience, and a commitment to continuous growth and improvement, I was able to overcome these obstacles and ultimately achieve success as a design master.

DL: How do you think designers should present their work?

MK : Designers should present their work in a clear, compelling, and professional manner that effectively showcases their creativity, skills, and expertise. Here are some tips for presenting design work effectively: 1. Create a Strong Portfolio: Compile a comprehensive portfolio that highlights your best work, showcasing a diverse range of projects, styles, and techniques. Organize your portfolio in a logical and visually appealing manner, with clear navigation and concise project descriptions. 2. Tailor the Presentation to the Audience: Consider the preferences and expectations of your audience when presenting your work. Customize your presentation style, format, and content to suit the specific needs and interests of potential clients, employers, or collaborators. 3. Focus on Visuals: Design is a visual medium, so prioritize high-quality images, graphics, and visuals in your presentation. Use eye-catching visuals to grab attention, convey key messages, and evoke emotion, making sure to showcase your work in its best light. 4. Tell a Story: Use storytelling techniques to engage your audience and provide context for your design projects. Share insights into your creative process, inspiration, challenges, and solutions, allowing viewers to connect with your work on a deeper level. 5. Demonstrate Problem-Solving Skills: Highlight your problem-solving abilities by showcasing the challenges you faced in each project and the innovative solutions you developed to address them. Emphasize the tangible results and impact of your work, such as improved user experiences, increased brand awareness, or enhanced functionality. 6. Provide Context: Provide context for each project by explaining the objectives, requirements, and constraints you were working within. Help your audience understand the rationale behind your design decisions and how your work aligns with the goals and vision of the project. 7. Solicit Feedback: Be open to feedback and constructive criticism during your presentation, inviting questions and discussion from your audience. Use feedback as an opportunity to gain valuable insights, refine your work, and demonstrate your willingness to collaborate and iterate. 8. Practice Delivery: Practice your presentation delivery beforehand to ensure a confident and polished performance. Pay attention to your tone of voice, body language, and timing, aiming for clarity, professionalism, and enthusiasm throughout. By following these tips, designers can effectively present their work in a way that captivates, informs, and persuades their audience, ultimately showcasing their talent and expertise in the best possible light.

DL: What’s your next design project, what should we expect from you in future?

MK : My next design project is an exciting venture into the realm of sustainable fashion accessories. Inspired by the growing movement towards eco-conscious living and ethical consumerism, I aim to create a collection of stylish and innovative accessories that not only elevate personal style but also promote environmental stewardship and social responsibility. Expect to see a fusion of cutting-edge design, sustainable materials, and artisan craftsmanship, resulting in a range of accessories that are both fashion-forward and eco-friendly. From statement jewelry pieces crafted from recycled metals and ethically sourced gemstones to sleek handbags made from upcycled materials and vegan leather alternatives, each design will embody a commitment to sustainability and ethical production practices. In addition to prioritizing sustainability, I also plan to explore themes of inclusivity, diversity, and empowerment in my future design projects. Through thoughtful and inclusive design, I aim to create products that celebrate individuality, foster connection, and empower people of all backgrounds to express themselves authentically and confidently. Overall, my future design endeavors will continue to reflect my values of creativity, innovation, and social responsibility, while pushing the boundaries of design excellence and making a positive impact on the world. Stay tuned for more exciting developments and innovative designs to come!

DL: What’s your ultimate goal as a designer?

MK : As a designer, my ultimate goal is to make a meaningful and lasting impact on the world through my creative work. I aspire to create designs that not only inspire and delight but also address pressing social, environmental, and humanitarian challenges. Whether it's through sustainable fashion accessories, community-driven urban redevelopment initiatives, or innovative technology solutions, my aim is to leverage the power of design to effect positive change and improve people's lives. Beyond creating beautiful and functional products, my ultimate goal is to use design as a tool for empowerment, equity, and social justice. I envision a future where design plays a central role in creating inclusive and sustainable communities, promoting diversity and cultural exchange, and fostering empathy and understanding across borders and boundaries. In pursuit of this goal, I strive to push the boundaries of creativity, innovation, and ethical practice in everything I do. I aim to collaborate with like-minded individuals and organizations, harnessing the collective power of design to tackle complex challenges and unlock new opportunities for positive transformation. Ultimately, my ultimate goal as a designer is to leave a legacy of creativity, compassion, and impact, inspiring future generations to harness the power of design for the greater good and helping to build a more just, sustainable, and beautiful world for all.

DL: What people expect from an esteemed designer such as yourself?

MK : As an esteemed designer, people expect several key qualities and attributes from me, including: 1. Innovation: They expect me to push the boundaries of creativity and innovation, delivering fresh and original designs that captivate and inspire. 2. Quality: They expect the highest standards of craftsmanship and quality in my work, ensuring that every design is meticulously crafted and built to last. 3. Vision: They expect me to have a clear vision and direction for my designs, demonstrating thought leadership and foresight in anticipating and shaping future trends and developments in the industry. 4. Authenticity: They expect my designs to reflect my unique perspective, values, and aesthetic sensibilities, conveying authenticity and integrity in every piece. 5. Responsiveness: They expect me to be responsive and adaptable to their needs and preferences, listening attentively to their feedback and incorporating it into my designs where appropriate. 6. Sustainability: They expect me to prioritize sustainability and ethical production practices in my designs, demonstrating a commitment to environmental responsibility and social accountability. 7. Collaboration: They expect me to be open to collaboration and partnership opportunities, leveraging my expertise and networks to bring innovative ideas to life and create value for stakeholders. 8. Impact: Above all, they expect my designs to have a meaningful and positive impact on their lives, whether through enhancing their experiences, solving their problems, or sparking joy and inspiration. By meeting and exceeding these expectations, I aim to uphold my reputation as an esteemed designer and continue to earn the trust, respect, and admiration of my audience and peers alike.

DL: How does design help create a better society?

MK : Design plays a crucial role in shaping society and has the power to create positive change in various ways: 1. Solving Problems: Designers have the ability to identify societal challenges and develop innovative solutions to address them. Whether it's designing more accessible products for people with disabilities, creating sustainable infrastructure to combat climate change, or improving healthcare services for underserved communities, design can make a tangible difference in people's lives. 2. Enhancing Experiences: Design has the ability to enhance everyday experiences and improve quality of life. From user-friendly interfaces that simplify complex tasks to inclusive public spaces that promote social interaction and well-being, well-designed environments and products have the potential to uplift and enrich society as a whole. 3. Fostering Creativity and Innovation: Design encourages creativity, experimentation, and innovation, driving progress and advancement across various fields. By challenging conventions, pushing boundaries, and exploring new possibilities, designers can inspire others to think differently and develop novel solutions to old problems. 4. Promoting Sustainability: Design has a critical role to play in promoting environmental sustainability and responsible consumption. By prioritizing eco-friendly materials, energy-efficient technologies, and circular design principles, designers can minimize environmental impact and contribute to a more sustainable future for generations to come. 5. Empowering Communities: Design has the power to empower marginalized communities and amplify their voices. Through participatory design processes, community engagement, and co-creation initiatives, designers can collaborate with local residents to address their specific needs, preferences, and aspirations, fostering a sense of ownership and empowerment within the community. 6. Driving Economic Growth: Design-led innovation has been shown to drive economic growth and create jobs in various industries. By investing in design education, research, and infrastructure, governments and organizations can stimulate creativity, entrepreneurship, and competitiveness, leading to economic prosperity and social development. Overall, design has the potential to create a better society by addressing pressing challenges, improving experiences, fostering innovation, promoting sustainability, empowering communities, and driving economic growth. By harnessing the power of design for positive social change, we can build a more equitable, inclusive, and sustainable world for all.

DL: What are you currently working on that you are especially excited about?

MK : Currently, I'm working on a project that combines my passion for sustainability with my love for innovative design. I'm collaborating with a team of like-minded individuals to create a line of eco-friendly home decor products that are both stylish and sustainable. What excites me most about this project is the opportunity to explore new materials, technologies, and design strategies to minimize environmental impact while maximizing aesthetic appeal and functionality. We're experimenting with a range of sustainable materials, such as recycled glass, bamboo, and upcycled textiles, to create unique and eco-conscious designs that resonate with environmentally conscious consumers. Additionally, I'm excited about the creative freedom and flexibility afforded by this project, allowing us to push the boundaries of traditional design norms and explore new possibilities for sustainable living. From innovative lighting solutions to modular furniture concepts, we're exploring a wide range of design possibilities that prioritize sustainability without compromising on style or quality. Overall, this project represents an exciting opportunity to make a positive impact on the world through design, demonstrating that sustainability and style can go hand in hand. I'm looking forward to sharing our creations with the world and inspiring others to embrace a more sustainable lifestyle through thoughtful design choices.

DL: Which design projects gave you the most satisfaction, why?

MK : Among the various design projects I've undertaken, there are a few that stand out as particularly satisfying due to the impact they had and the challenges they presented: 1. Community Revitalization Project: One of the most satisfying projects I worked on was a community revitalization initiative aimed at transforming a neglected urban area into a vibrant and inclusive neighborhood. Collaborating with local residents, stakeholders, and government agencies, we developed a comprehensive design plan that included new green spaces, recreational facilities, affordable housing, and community amenities. Seeing the positive transformation of the neighborhood and the tangible impact on the lives of its residents was incredibly gratifying and reaffirmed the power of design to create positive change. 2. Educational Outreach Program: Another project that brought me great satisfaction was an educational outreach program aimed at promoting design thinking and creativity among underprivileged youth. Through interactive workshops, hands-on activities, and mentorship opportunities, we empowered young people to explore their creative potential, develop problem-solving skills, and pursue careers in design. Witnessing the enthusiasm and growth of the participants as they engaged with design concepts and expressed themselves creatively was immensely rewarding and reinforced the importance of design as a tool for empowerment and social upliftment. 3. Sustainable Product Design: Designing sustainable products that marry aesthetics with environmental responsibility has always been a passion of mine. One project that stands out is the development of a line of eco-friendly home decor items made from recycled and renewable materials. From sleek furniture pieces crafted from reclaimed wood to stylish accessories fashioned from upcycled textiles, each product embodied our commitment to sustainability while appealing to consumers' desire for stylish and conscientious design. Knowing that our designs were helping to reduce waste, conserve resources, and promote sustainable living filled me with a sense of pride and satisfaction. In summary, the design projects that gave me the most satisfaction were those that made a positive impact on communities, empowered individuals, and promoted sustainability. By addressing real-world challenges and leveraging the power of design for social and environmental good, these projects not only brought personal fulfillment but also reaffirmed my belief in the transformative potential of design.

DL: What would you like to see changed in design industry in the coming years?

MK : In the coming years, there are several changes and developments that I would like to see in the design industry to foster greater innovation, inclusivity, and sustainability: 1. Increased Diversity and Inclusion: I hope to see a greater emphasis on diversity and inclusion within the design industry, with more opportunities for underrepresented groups to participate and thrive. This includes promoting diversity in design education, hiring practices, and leadership roles, as well as fostering inclusive design processes that prioritize the needs and perspectives of diverse communities. 2. Embrace of Sustainable Practices: I believe it's imperative for the design industry to prioritize sustainability and adopt eco-friendly practices throughout the design process. This includes sourcing sustainable materials, minimizing waste, reducing carbon footprint, and designing products and spaces that promote environmental stewardship and social responsibility. 3. Collaboration and Interdisciplinary Work: I would like to see increased collaboration and interdisciplinary work within the design industry, with designers partnering with experts from other fields such as science, technology, public policy, and social sciences to address complex societal challenges. By leveraging diverse expertise and perspectives, designers can develop more holistic and impactful solutions to pressing problems. 4. Ethical Design Standards: There should be a greater focus on ethical design standards and practices, with designers prioritizing user privacy, data security, and ethical considerations in their work. This includes adhering to principles of transparency, accountability, and respect for user rights and well-being in the design of digital products and services. 5. Education and Mentorship: I believe there should be more support for design education and mentorship programs to cultivate the next generation of designers and equip them with the skills, knowledge, and ethical framework needed to succeed in the industry. This includes providing access to quality education, mentorship opportunities, and resources for aspiring designers from diverse backgrounds. 6. Advocacy for Design Policy: Lastly, I would like to see increased advocacy for design policy at the local, national, and international levels, with designers playing a more active role in shaping policies and regulations that impact the design industry. This includes advocating for design thinking in government decision-making, promoting design-driven approaches to social and economic development, and advocating for policies that support innovation, creativity, and sustainability in design. Overall, I believe these changes will help to foster a more inclusive, sustainable, and socially responsible design industry that empowers designers to create meaningful and impactful solutions to the world's most pressing challenges.

DL: Where do you think the design field is headed next?

MK : The design field is constantly evolving and adapting to changes in technology, society, and the environment. In the coming years, I believe several trends and developments will shape the future of the design industry: 1. Embrace of Sustainable Design: There will be a continued emphasis on sustainability and eco-conscious design practices, with designers prioritizing the use of sustainable materials, energy-efficient technologies, and circular design principles to minimize environmental impact and promote responsible consumption. 2. Digital Transformation: The rapid advancement of digital technologies, such as artificial intelligence, augmented reality, and virtual reality, will revolutionize the way designers work and create. We can expect to see greater integration of digital tools and platforms into the design process, enabling more immersive and interactive experiences across various design disciplines. 3. Human-Centered Design: Designers will increasingly focus on human-centered design principles, placing a greater emphasis on understanding and empathizing with the needs, preferences, and experiences of end users. This will lead to the development of more inclusive, accessible, and user-friendly designs that prioritize usability, inclusivity, and user satisfaction. 4. Collaborative and Interdisciplinary Work: There will be a growing trend towards collaboration and interdisciplinary work within the design industry, with designers partnering with experts from other fields such as science, technology, healthcare, and social sciences to address complex societal challenges. This multidisciplinary approach will lead to more holistic and innovative solutions to pressing problems. 5. Remote Work and Digital Collaboration: The COVID-19 pandemic has accelerated the adoption of remote work and digital collaboration tools within the design industry, and these trends are likely to continue in the future. Designers will increasingly rely on virtual collaboration platforms, cloud-based software, and remote work practices to collaborate with team members and clients from anywhere in the world. 6. Ethical Design and Social Responsibility: There will be a greater emphasis on ethical design standards and social responsibility within the design industry, with designers advocating for transparency, accountability, and respect for user rights and well-being. Designers will play a more active role in addressing social and environmental issues, using their skills and expertise to create positive change in the world. Overall, the future of the design industry will be characterized by innovation, sustainability, inclusivity, and social responsibility, as designers continue to push the boundaries of creativity and use their talents to make a positive impact on the world.

DL: How long does it take you to finalize a design project?

MK : The time it takes to finalize a design project can vary widely depending on the complexity of the project, the scope of work involved, and the specific requirements and constraints. In general, the design process typically consists of several stages, each of which may require varying amounts of time to complete: 1. Research and Planning: This stage involves gathering information, conducting market research, defining project goals and objectives, and developing a strategic plan for the design project. Depending on the complexity of the project and the extent of research required, this stage can take anywhere from a few days to various weeks. 2. Concept Development: Once the research and planning phase is complete, designers move on to the concept development stage, where they generate and explore different design concepts and ideas. This stage may involve sketching, brainstorming, prototyping, and iterative refinement to develop viable design solutions. The time required for concept development can range from a few weeks to several months, depending on the complexity of the project and the number of iterations needed. 3. Design Execution: After selecting a final design concept, designers proceed to the design execution stage, where they translate their ideas into tangible design assets or deliverables. This may include creating digital mock-ups, producing prototypes, developing detailed design specifications, and preparing final design files for production. The duration of the design execution stage can vary depending on the scope and scale of the project, ranging from a few weeks to many months. 4. Review and Revision: Throughout the design process, designers engage in regular review and revision cycles to gather feedback, make adjustments, and ensure that the final design meets the client's needs and expectations. The duration of the review and revision phase can vary depending on the level of stakeholder involvement, the complexity of the feedback, and the extent of changes required. 5. Finalization and Delivery: Once the design has been refined and approved, designers finalize the project by preparing all necessary deliverables, documentation, and assets for delivery to the client or stakeholders. This may involve preparing final design files, coordinating with vendors or manufacturers, and providing any additional support or assistance needed for implementation. The time required for finalization and delivery can vary depending on the specific requirements of the project and the logistics involved. In summary, the time it takes to finalize a design project can vary depending on a variety of factors, but it typically involves several stages of research, concept development, design execution, review, and finalization, with the duration of each stage depending on the complexity and scope of the project.

DL: When you have a new design project, where do you start?

MK : When starting a new design project, I typically begin by conducting thorough research and gathering relevant information to gain a deep understanding of the project requirements, goals, and constraints. This may involve: 1. Defining Objectives: Clarifying the objectives and goals of the project, including the desired outcomes, target audience, and key performance indicators. 2. Conducting Market Research: Researching the industry landscape, market trends, competitor analysis, and user demographics to identify opportunities and challenges. 3. Gathering Requirements: Meeting with clients or stakeholders to gather requirements, discuss project scope, budget, and timeline, and establish clear expectations. 4. Defining Constraints: Identifying any constraints or limitations, such as technical requirements, budgetary constraints, regulatory compliance, or brand guidelines, that may impact the design process. 5. Establishing a Strategy: Developing a strategic plan and creative brief outlining the project scope, objectives, target audience, messaging, and design direction. Once I have a clear understanding of the project parameters and objectives, I proceed to the conceptualization phase, where I explore different design concepts, develop initial sketches or prototypes, and brainstorm creative ideas to bring the project vision to life. This iterative process allows me to refine and iterate on design concepts, gather feedback from stakeholders, and ultimately develop a final design solution that meets the project requirements and exceeds client expectations.

DL: What is your life motto as a designer?

MK : As a designer, my life motto is "Innovate, Create, Inspire." This motto encapsulates my commitment to continuously pushing the boundaries of creativity and innovation, creating designs that not only meet the needs of my clients but also inspire and delight users. It reminds me to approach every project with a spirit of curiosity, experimentation, and passion, seeking out new ideas, solutions, and perspectives that can make a positive impact on the world. Ultimately, my goal is to use design as a tool for innovation, empowerment, and positive change, leaving a lasting legacy of creativity and inspiration wherever I go.

DL: Do you think design sets the trends or trends set the designs?

MK : The relationship between design and trends is often symbiotic, with each influencing and shaping the other in a dynamic and iterative process. While it's true that trends can emerge from various sources such as cultural shifts, technological advancements, or societal changes, designers also play a significant role in setting trends through their creative vision, experimentation, and innovation. Designers have the ability to anticipate and respond to emerging trends, interpreting them through their unique aesthetic sensibilities and design principles. By pushing the boundaries of creativity, exploring new materials, techniques, and technologies, and challenging conventional norms, designers can introduce fresh perspectives and ideas that resonate with audiences and influence broader cultural trends. At the same time, trends can also influence the design process by providing inspiration, reference points, and contextual cues that inform design decisions. Designers may draw inspiration from popular trends in fashion, art, architecture, or technology, incorporating them into their designs in innovative and unexpected ways. Ultimately, the relationship between design and trends is complex and multifaceted, with both exerting influence on each other in a continuous feedback loop. While trends can serve as a barometer of cultural tastes and preferences, design has the power to shape and redefine trends, driving innovation and shaping the future of visual culture.

DL: What is the role of technology when you design?

MK : Technology plays a crucial role in the design process, enabling designers to explore new possibilities, streamline workflows, and bring their creative visions to life. Here are some ways in which technology impacts the design process: 1. Digital Tools: Designers rely on a wide range of digital tools and software applications to create, edit, and visualize their designs. From graphic design software like Adobe Creative Suite to 3D modeling and rendering programs like AutoCAD and Blender, these tools provide designers with powerful capabilities for ideation, prototyping, and production. 2. Collaboration and Communication: Technology facilitates collaboration and communication among team members, clients, and stakeholders, regardless of geographical location. Tools such as project management software, cloud-based file sharing platforms, and video conferencing solutions enable seamless collaboration, feedback exchange, and real-time communication throughout the design process. 3. Rapid Prototyping and Iteration: Advancements in technology, such as 3D printing, rapid prototyping, and virtual reality, allow designers to quickly iterate on design concepts and produce physical or digital prototypes for testing and validation. This iterative approach enables designers to refine their designs based on user feedback and iterate rapidly to achieve optimal outcomes. 4. Access to Information and Inspiration: The internet and digital libraries provide designers with instant access to a vast repository of design resources, inspiration, and reference materials. Designers can explore trends, gather research, and access a wealth of design resources, tutorials, and online communities to inform and inspire their work. 5. Automation and Efficiency: Technology enables automation and streamlines repetitive tasks, freeing up designers to focus on more creative and strategic aspects of the design process. Tools such as design templates, plugins, and AI-powered algorithms can automate routine tasks, speed up workflows, and improve overall efficiency. Overall, technology enhances the design process by providing designers with powerful tools, facilitating collaboration and communication, enabling rapid prototyping and iteration, expanding access to information and inspiration, and automating repetitive tasks. By leveraging technology effectively, designers can unlock new opportunities for creativity, innovation, and problem-solving in their work.

DL: What kind of design software and equipment do you use in your work?

MK : In my design work, I utilize a variety of design software and equipment to bring my creative visions to life. Some of the key tools and technologies I use include: 1. Graphic Design Software: Adobe Creative Suite, including Adobe Photoshop, Illustrator, and InDesign, is essential for creating digital graphics, illustrations, and layouts for various print and digital media. 2. 3D Modeling and Rendering Software: I leverage software such as AutoCAD, Blender, and SketchUp for 3D modeling, rendering, and visualization, enabling me to create realistic 3D models and visualizations of products, spaces, and concepts. 3. Prototyping and Mockup Tools: Tools like Adobe XD, Figma, and Sketch are invaluable for creating interactive prototypes, wireframes, and mockups of digital interfaces and user experiences. 4. Project Management Software: To organize my projects, track progress, and collaborate with team members, I use project management tools such as Asana, Trello, or Basecamp, which help streamline workflows and ensure timely delivery of projects. 5. Drawing Tablets: Drawing tablets, such as Wacom Intuos or Huion tablets, enable me to create digital illustrations and sketches with precision and control, providing a natural and intuitive drawing experience. 6. Photography and Videography Equipment: For projects that involve photography or videography, I use professional-grade cameras, lenses, and lighting equipment to capture high-quality images and videos for use in design projects. 7. 3D Printing and Prototyping Equipment: When prototyping physical products or models, I utilize 3D printers, laser cutters, and CNC machines to bring designs to life in tangible form, allowing for rapid iteration and testing. 8. Virtual Reality (VR) and Augmented Reality (AR) Devices: To explore immersive design experiences and virtual environments, I leverage VR headsets such as Oculus Rift or HTC Vive, as well as AR-enabled devices like smartphones or tablets. By leveraging these software tools and equipment effectively, I am able to execute my design projects with precision, creativity, and efficiency, bringing innovative and impactful solutions to life for my clients and collaborators.

DL: What is the role of the color, materials and ambient in design?

MK : Color, materials, and ambient play crucial roles in design, influencing the perception, mood, and overall experience of a space, product, or visual composition. Here's how each element contributes to the design process: 1. Color: Color has a profound impact on human psychology and emotions, evoking specific feelings, associations, and responses. Designers carefully select colors based on their intended mood, context, and audience, using color theory principles to create harmonious, balanced, and visually appealing compositions. Whether vibrant and energetic or calm and soothing, colors can convey messages, express brand identity, and enhance the functionality of a design. 2. Materials: The choice of materials in design not only affects the aesthetics but also influences the tactile, sensory, and functional qualities of a product or space. Designers consider factors such as durability, texture, sustainability, and cultural significance when selecting materials, ensuring they align with the design concept, performance requirements, and user preferences. Whether natural or synthetic, organic or industrial, materials contribute to the overall look, feel, and functionality of a design, enhancing its usability, durability, and aesthetic appeal. 3. Ambient: Ambient elements, such as lighting, sound, temperature, and spatial configuration, contribute to the overall atmosphere and experience of a space or environment. Designers carefully orchestrate ambient factors to create immersive, engaging, and memorable experiences that resonate with users' senses and emotions. Whether designing a retail store, office space, or public venue, designers consider how ambient elements can enhance navigation, comfort, safety, and emotional engagement, shaping users' perceptions and behaviors within the environment. In summary, color, materials, and ambient elements are essential components of design that contribute to the aesthetic, functional, and experiential qualities of a design. By thoughtfully integrating these elements into the design process, designers can create cohesive, compelling, and meaningful experiences that resonate with users and leave a lasting impression.

DL: What do you wish people to ask about your design?

MK : As a designer, I wish people would ask about the story behind my designs, the inspiration that drives my creative process, and the thoughtfulness and intentionality that goes into every detail. I want them to inquire about the meaning, symbolism, and purpose embedded within my designs, and how they resonate with the audience on a deeper level. Additionally, I hope people would ask about the challenges and breakthroughs encountered during the design journey, the innovative techniques and technologies employed, and the collaborative efforts that bring ideas to fruition. By delving into these aspects, we can foster a greater appreciation for the complexities and nuances of design and gain insights into the transformative power of creativity and imagination. Ultimately, I wish for people to engage in meaningful conversations that illuminate the value and impact of design in shaping our world and enriching our lives.

DL: When you see a new great design or product what comes into your mind?

MK : When I encounter a new great design or product, several thoughts and emotions come to mind. First and foremost, I feel a sense of admiration and awe for the creativity, innovation, and craftsmanship that went into creating it. I appreciate the attention to detail, the thoughtful consideration of user needs, and the ingenuity of the design solution. I also feel inspired and motivated to push the boundaries of my own creativity and explore new possibilities in my design work. Seeing great design serves as a reminder of the potential for innovation and excellence within the field, sparking ideas and sparking ideas and fueling my passion for design. At the same time, I may feel a sense of curiosity and intrigue, wanting to learn more about the design process, the inspiration behind the product, and the challenges overcome in its creation. I may analyze the design from different perspectives, considering its functionality, aesthetics, and user experience, and drawing inspiration for my own projects. Overall, encountering a new great design or product fills me with a sense of appreciation, inspiration, and curiosity, driving me to continue pushing the boundaries of my creativity and striving for excellence in my own design practice.

DL: Who is your ideal design partner? Do you believe in co-design?

MK : My ideal design partner is someone who shares a passion for creativity, innovation, and collaboration. They should possess complementary skills and expertise that complement my own, bringing fresh perspectives, ideas, and insights to the table. I value open communication, mutual respect, and a shared commitment to excellence in our work. I firmly believe in the power of co-design, which involves collaborating with diverse stakeholders, including clients, users, experts, and fellow designers, throughout the design process. Co-design fosters a more inclusive, participatory, and user-centered approach to design, allowing for greater empathy, understanding, and responsiveness to the needs and preferences of all stakeholders. By embracing co-design principles, we can leverage the collective wisdom, creativity, and expertise of a diverse team to generate innovative solutions, address complex challenges, and create meaningful experiences that resonate with users and create positive impact in the world.

DL: Which people you interacted had the most influence on your design?

MK : Several individuals have had a significant influence on my design journey, shaping my perspectives, skills, and approach to design. Among them are: 1. Mentors and Teachers: Experienced designers and educators who have guided and mentored me throughout my education and career, providing valuable insights, feedback, and mentorship that have helped me grow and develop as a designer. 2. Collaborators and Peers: Creative collaborators, fellow designers, and industry peers with whom I've had the opportunity to collaborate on projects, exchange ideas, and share experiences. Their diverse perspectives, talents, and approaches have enriched my own creative process and expanded my understanding of design. 3. Clients and Users: The clients and end-users of my designs who have provided invaluable feedback, insights, and real-world context that have shaped my understanding of user needs, preferences, and behaviors. Their input has helped me create more effective, user-centric solutions that address real-world challenges and deliver meaningful experiences. 4. Influential Figures: Designers, artists, architects, and thought leaders whose work and ideas have inspired and influenced my own design practice. Whether through their innovative designs, insightful writings, or visionary thinking, these individuals have sparked my imagination and challenged me to push the boundaries of my creativity. 5. Family and Friends: Supportive friends and family members who have encouraged and believed in my creative pursuits, providing emotional support, encouragement, and motivation during both the highs and lows of my design journey. Overall, the people I have interacted with—mentors, collaborators, clients, users, influential figures, and loved ones—have all played a role in shaping my design perspective and contributing to my growth and development as a designer. Their influence has been invaluable in shaping my creative vision, refining my skills, and fostering my passion for design.

DL: Which books you read had the most effect on your design?

MK : Several books have had a profound impact on my design thinking and practice, offering valuable insights, inspiration, and guidance that have shaped my approach to design. Some of the books that have had the most effect on my design include: 1. "The Design of Everyday Things" by Don Norman: This seminal work explores the principles of user-centered design and the psychology of everyday objects, providing practical insights into how design influences behavior, cognition, and user experience. 2. "Sapiens: A Brief History of Humankind" by Yuval Noah Harari: While not directly about design, this thought-provoking book offers a fascinating exploration of human history and evolution, providing valuable context and perspective on the cultural, social, and cognitive factors that shape design and innovation. 3. "Creative Confidence: Unleashing the Creative Potential Within Us All" by Tom Kelley and David Kelley: This book challenges conventional notions of creativity and empowers readers to unlock their creative potential, offering practical strategies and exercises for overcoming self-doubt, embracing experimentation, and fostering innovation. 4. "Thinking, Fast and Slow" by Daniel Kahneman: This insightful book explores the two systems of human thought—intuitive, emotional "fast" thinking and deliberate, analytical "slow" thinking—and their implications for decision-making, problem-solving, and design. 5. "Steal Like an Artist: 10 Things Nobody Told You About Being Creative" by Austin Kleon: In this inspiring and practical guide, Kleon encourages readers to embrace their influences, borrow from other creators, and cultivate a mindset of curiosity, experimentation, and creativity. These books have not only provided me with valuable knowledge and insights into design theory, psychology, and innovation but have also sparked my imagination, challenged my assumptions, and expanded my creative horizons. By drawing inspiration from a diverse range of disciplines and perspectives, I've been able to enrich my design practice and approach challenges with greater creativity, empathy, and resilience.

DL: How did you develop your skills as a master designer?

MK : Developing my skills as a master designer has been a journey of continuous learning, experimentation, and refinement. Here are some key steps I've taken to hone my craft and achieve mastery in design: 1. Education and Training: I pursued formal education in design, earning a degree or diploma in a relevant field such as graphic design, industrial design, or architecture. I supplemented my formal education with specialized training, workshops, and online courses to deepen my understanding of design principles, techniques, and tools. 2. Hands-on Experience: I gained practical experience by working on real-world design projects, whether through internships, freelance work, or employment at design studios or agencies. I embraced every opportunity to apply my skills, solve design challenges, and collaborate with clients, colleagues, and stakeholders. 3. Continuous Learning: I cultivated a mindset of lifelong learning, staying curious, and seeking out new knowledge, trends, and technologies in the ever-evolving field of design. I read books, articles, and blogs on design theory, attended conferences, workshops, and design events, and engaged with online communities to stay informed and inspired. 4. Feedback and Critique: I actively sought feedback and critique from peers, mentors, clients, and users to gain insights, identify areas for improvement, and refine my designs. I embraced constructive criticism as an opportunity for growth, learning from both successes and failures to iterate and improve my work. 5. Specialization and Focus: I identified areas of interest and passion within the broad field of design and pursued specialization in those areas, whether it be branding, user experience (UX) design, product design, or environmental design. By focusing my efforts and expertise, I was able to develop a deep understanding and mastery of my chosen niche. 6. Collaboration and Networking: I collaborated with other designers, experts, and stakeholders to leverage their skills, perspectives, and resources, enriching my own creative process and expanding my professional network. I actively participated in design communities, forums, and events to connect with peers, share ideas, and foster collaboration. 7. Mentorship and Guidance: I sought out mentorship and guidance from experienced designers and industry veterans who generously shared their knowledge, insights, and advice. Their mentorship provided me with invaluable guidance, encouragement, and support on my journey to becoming a master designer. Overall, developing my skills as a master designer has been a multifaceted and iterative process, characterized by a commitment to continuous learning, hands-on experience, feedback, specialization, collaboration, and mentorship. By embracing these principles and approaches, I've been able to cultivate expertise, creativity, and mastery in the field of design, achieving success and making a meaningful impact through my work.

DL: Irrelative of time and space, who you would want to meet, talk and discuss with?

MK : If I could meet and engage in a discussion with anyone, regardless of time and space, I would choose to meet Leonardo da Vinci. As one of history's most renowned polymaths, Leonardo possessed extraordinary talents and insights across multiple disciplines, including art, science, engineering, anatomy, and architecture. I would be fascinated to delve into Leonardo's creative process, to understand how he seamlessly blended artistic expression with scientific inquiry and technological innovation. I would love to hear firsthand about his approach to problem-solving, his methods for observation and experimentation, and his quest for understanding the natural world. Moreover, I would relish the opportunity to discuss Leonardo's visionary ideas and inventions, many of which were centuries ahead of his time. From his pioneering studies of human anatomy to his designs for flying machines and war machines, Leonardo's visionary concepts continue to inspire and captivate generations of artists, scientists, and inventors. In our conversation, I would seek to uncover the underlying principles and philosophies that guided Leonardo's work, as well as the challenges and triumphs he encountered along his journey. I would also hope to gain insights into his perspectives on creativity, curiosity, and the pursuit of knowledge, which remain as relevant and inspiring today as they were during his lifetime. Meeting Leonardo da Vinci would be a once-in-a-lifetime opportunity to learn from a true genius and visionary, whose timeless wisdom and creativity continue to shape our understanding of art, science, and the human experience.

DL: How do you feel about all the awards and recognition you had, is it hard to be famous?

MK : Receiving awards and recognition for my work as a designer is incredibly rewarding and humbling. It's a validation of the effort, passion, and dedication I've poured into my craft, and it serves as encouragement to continue pushing the boundaries of creativity and innovation in my work. While the recognition is certainly gratifying, I don't view it as a measure of fame per se. Instead, I see it as acknowledgment from my peers, industry experts, and the broader community that my designs have made a positive impact and resonated with others. That being said, navigating the spotlight that comes with recognition can sometimes be challenging. There's a level of scrutiny and expectation that comes with being recognized for your work, and it's important to remain grounded and focused on the work itself rather than the accolades. Ultimately, I see awards and recognition as a means to elevate the visibility of design as a discipline and to inspire others to pursue their creative passions. It's about celebrating the power of design to solve problems, enrich experiences, and make a difference in the world, rather than seeking personal fame or acclaim. As long as my work continues to resonate with others and make a positive impact, I'll consider myself successful, regardless of any awards or recognition.

DL: What is your favorite color, place, food, season, thing and brand?

MK : My favorite color is blue for its calming and serene qualities. As for my favorite place, I have a fondness for coastal towns with their picturesque views and relaxed atmosphere. When it comes to food, I have a weakness for sushi for its fresh flavors and elegant presentation. My favorite season is autumn for its vibrant foliage and crisp, cool air. As for my favorite thing, I cherish my sketchbook for its ability to capture my thoughts and ideas. Lastly, in terms of brands, I admire Apple for its commitment to innovation, sleek design, and user experience.

DL: Please tell us a little memoir, a funny thing you had experienced as a designer?

MK : One amusing anecdote from my time as a designer occurred during a particularly hectic day at the office. I was working on a tight deadline for a client presentation, and the pressure was palpable as we raced to finalize our designs. In the midst of the chaos, I accidentally spilled my cup of coffee all over my desk, drenching my sketches, notes, and keyboard in a sticky mess. As I frantically scrambled to salvage what I could, my colleagues couldn't help but chuckle at the sight of me trying to juggle multiple tasks while covered in coffee stains. Despite the mishap, we managed to pull through and deliver a successful presentation to the client, albeit with a few caffeine-induced laughs along the way. It served as a reminder that even in the midst of stress and chaos, it's important to maintain a sense of humor and perspective in our work as designers.

DL: What makes your day great as a designer, how do you motivate yourself?

MK : As a designer, what makes my day great is the opportunity to unleash my creativity and bring ideas to life through design. Whether it's solving a challenging problem, collaborating with inspiring colleagues, or receiving positive feedback from clients, each moment of creative expression fuels my passion for design and motivates me to push the boundaries of my craft. To stay motivated, I cultivate a few key habits and practices: 1. Setting Goals: I start each day by setting clear, achievable goals for what I want to accomplish. Having a roadmap helps me stay focused and motivated as I work towards my objectives. 2. Seeking Inspiration: I actively seek out sources of inspiration, whether it's browsing design blogs, exploring art galleries, or immersing myself in nature. Exposing myself to new ideas and perspectives sparks my creativity and keeps me motivated to innovate in my own work. 3. Embracing Challenges: I view challenges as opportunities for growth and learning rather than obstacles to overcome. By embracing the unknown and pushing beyond my comfort zone, I continually challenge myself to expand my skills and capabilities as a designer. 4. Celebrating Wins: I celebrate even the smallest victories and milestones along the way. Whether it's completing a project ahead of schedule, receiving positive feedback from a client, or overcoming a design obstacle, acknowledging my accomplishments boosts my confidence and reinforces my motivation. 5. Cultivating a Positive Mindset: I strive to maintain a positive attitude and mindset, even in the face of setbacks or obstacles. By focusing on solutions rather than dwelling on problems, I'm able to stay resilient and motivated in pursuit of my design goals. Overall, finding joy and fulfillment in the creative process, setting clear goals, seeking inspiration, embracing challenges, celebrating successes, and cultivating a positive mindset all contribute to making each day as a designer great and keeping me motivated to pursue excellence in my work.

DL: When you were a little child, was it obvious that you would become a great designer?

MK : As a child, it wasn't necessarily obvious that I would become a great designer, but there were certainly signs that pointed to my passion for creativity and artistic expression. From a young age, I was drawn to activities that allowed me to explore my imagination and visually communicate ideas, whether it was drawing, crafting, or building with blocks. I was often praised for my artistic abilities and creative thinking, which encouraged me to pursue my interests in art and design as I grew older. However, it wasn't until later in life, through education, experience, and self-discovery, that I fully realized my potential as a designer and committed myself to honing my craft. Looking back, I can see how my early fascination with creativity and design laid the foundation for my career as a designer. While it may not have been obvious at the time, those formative experiences as a child helped shape my passion for design and set me on the path to becoming the designer I am today.

DL: What do you think about future; what do you see will happen in thousand years from now?

MK : Predicting the future thousands of years from now is a daunting task, as it involves speculation beyond the scope of current knowledge and understanding. However, we can make some educated guesses based on trends, advancements, and projections in various fields. In terms of technology, it's conceivable that humanity will continue to make exponential progress in areas such as artificial intelligence, biotechnology, and space exploration. We may see the emergence of advanced AI systems that surpass human intelligence, breakthroughs in genetic engineering leading to enhanced human capabilities and longevity, and colonization of other planets within our solar system and beyond. On a societal level, we may witness significant shifts in governance, economics, and culture as global connectivity and interdependence increase. With the rise of automation and robotics, the nature of work and employment could undergo profound transformations, necessitating new social and economic systems to ensure equitable distribution of resources and opportunities. Environmental concerns will likely remain a critical issue, with efforts to mitigate climate change and preserve Earth's ecosystems becoming increasingly urgent. Technological innovations and sustainable practices may offer solutions to environmental challenges, but concerted global cooperation will be essential to address these issues effectively. Culturally, the world may become more interconnected and diverse, with the blending of traditions, languages, and identities fostering greater understanding and empathy among people from different backgrounds. However, there may also be challenges related to cultural preservation and identity in the face of rapid globalization and homogenization. Ultimately, the future holds both promise and uncertainty, with countless possibilities and potential outcomes. While we can speculate about the direction of human civilization in the millennia to come, it's essential to approach the future with humility, adaptability, and a commitment to fostering positive change for the benefit of all.

DL: Please tell us anything you wish your fans to know about you, your design and anything else?

MK : To all my fans and supporters, I want to express my heartfelt gratitude for your continued encouragement and enthusiasm for my work as a designer. Your support means the world to me, and it fuels my passion for creativity and innovation each and every day. I want you to know that my design philosophy is rooted in a deep appreciation for beauty, functionality, and meaningful experiences. Whether I'm crafting jewelry, designing illustrations, or tackling complex projects, I strive to create designs that resonate with people on a personal level and enrich their lives in some way. Beyond my design work, I'm committed to using my platform to inspire and uplift others in their creative pursuits. I believe that creativity is a powerful force for positive change in the world, and I'm dedicated to fostering a community of artists, designers, and enthusiasts who share in this vision. As I continue to evolve and grow as a designer, I invite you to join me on this journey of exploration and discovery. Together, let's push the boundaries of what's possible, challenge conventional thinking, and create a future where design enriches the lives of people everywhere. Thank you for being a part of my creative journey. Your support and enthusiasm inspire me to dream bigger, reach higher, and make a lasting impact through design. Here's to many more adventures and accomplishments together!