Design Legends ("DL") had the distinct honour to interview legendary designer Martin Hoffmann ("MH") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
MH : I have been interested in creative subjects since my youth. Drawing and photography were fun and challenged my imagination. Early on, I developed an affinity for logos and typefaces, for creative experiments. After finishing school and other courses of study, I decided to study communication design at the University of Applied Sciences in Augsburg, Germany.
MH : Beautiful shapes, good designs, intelligently developed logos, using reduction to depict the essentials. My ability to draw formed the basis. To depict something with pictures, true to the motto that a picture is worth a thousand words.
MH : It was my own decision.
MH : I work in three areas: graphic design, illustration and photography. In the field of graphic design, it is the wide range of visual communication from logos, corporate design, brochures and posters to websites and animations. In illustration, it is medically complex representations, spatial representations, cartoon figures, visualisation of complex processes. In photography, it's reportage, racing, landscape and product photography. I enjoy the mix and it provides creative input for other areas.
MH : Believe in yourself and don't let your work be maligned, but be your harshest critic. Always question yourself and your work. Think through your work completely and you can explain it everywhere. Recognise your value.
MH : Get to the bottom of things before you make a design. Put your heart into your work. Have the backbone to represent your design.
MH : In my opinion, a really good design must combine two things. It must be formally coherent and at the same time fulfil its task perfectly. What use is the most beautiful design if you don't understand it or it's awkward to use? That's exactly how I would judge it: does it fulfil the aesthetic requirements and does it fulfil its purpose.
MH : For example, well-designed communication can make information easier to understand. If a sign has the effect of avoiding errors or mistakes, for example, a life may have been saved. Good design also appeals to the sense of aesthetics, creates a pleasant environment and promotes well-being.
MH : A motorbike for a well-known manufacturer.
MH : Don't settle for your first best design, but don't forget it either if you're at a creative dead end.
MH : Otl Aicher, David Carson, Neville Brody, Ansel Adams, Peter Lindbergh, Annie Leibovitz
MH : There are a couple of favourites from different jobs and areas of work that still make me smile. But prioritising one work is not easy. These designs are special to me because when I look at them, I can still see details and solutions, the way they were created is still very clear to me and I am really happy with the result.
MH : Be free in your thoughts. Don't allow any scissors in your head (they will come anyway). Go further than you think you have to/can go. Be your toughest critic. Be an expert in your field, if you don't know something get information. Be open to other impressions, other approaches. Pay attention to the details and don't forget the big picture. Be authentic.
MH : Instead of communication design, maybe industrial design (vehicles) or architecture.
MH : Design is the aesthetic and functional organisation of different parts of everyday life with the aim of creating an effect.
MH : I want to remain modest and not talk about heights here. But the support of my partner/family is a very, very important driver.
MH : I can't say at the moment, I'm working on it and then something new will come.
MH : Gold or Platiunum
MH : To do this, we need appropriate content. I see design (graphic design) as a medium to convey the content.
MH : A new series of pictures. Will the result again be such that I enter a competition with it?
MH : The two Bronze Award wins in 2024 and 2023 mean, in addition to satisfied customers, additional recognition of the design quality of my work by an expert jury at international level.
MH : A corresponding feedback to the software industry that good design cannot be created in the blink of an eye, easily and in seconds by any layperson, if you only have the right programme on your smartphone.
MH : Design and creation will always exist, but are constantly changing. Now with AI. AI can and will take over many tasks in design. The important thing is that creativity, responding to the customer, to the content, empathising in order to develop better ideas, still needs people to develop the human touch.
MH : That depends on the object form hours to days.
MH : Less is more. Only when you can't take anything away is it good.
MH : Very good design, new design stands out and sets new trends.
MH : Technology is a very good tool. However, it is no substitute for your own creativity to develop something new.
MH : Macbook pro, Adobe Photoshop, Illustrator, Lightroom, Indesign, Character Animator, After Effects, Firefly, Chat Gpt, Behance, design books, typo books, paper and pencil
MH : Colour is an important element. With the right colour, you can create the desired effects.
MH : I welcome new designs, new ideas and the skilful realisation.
MH : Yearbooks on award-winning design, books on typography, photo books
MH : Don't stop learning. The better is the enemy of the good.
MH : The awards bring a certain smile to my face. Famous? No, I'm not and I don't attach any importance to it.
MH : When a new order arrives, it's the perfect motivation.
MH : No, but I wasn't bad at drawing back then.
MH : How would the Romans have imagined the year 2024? Let's hope we're not tripping ourselves up.
MH : That was already a lot. Don't let anyone else start snoring here
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