Sisi TANG

LEGENDARY INTERVIEW

Design Legends ("DL") had the distinct honour to interview legendary designer Sisi TANG ("ST") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.

DL: Could you please tell us a bit about your design background and education?

ST : My design background is rooted in both artistic training and academic research, with a strong focus on fashion, functionality, and sustainability. Before entering the fashion industry, I spent several years studying fine art, which helped me develop a deep sensitivity to form, composition, and visual storytelling. That foundation eventually led me to pursue a degree in Womenswear Design at the London College of Fashion, where I refined my technical skills and design methodologies within an international creative environment. Currently, I am a PhD candidate at The Hong Kong Polytechnic University, where my research focuses on sustainable functional apparel and the integration of design with advanced textile technologies. This academic path has allowed me to bridge creative exploration with scientific innovation, especially in areas such as adaptive wear, smart textiles, and user-centered garment systems. Together, these experiences have shaped me into a designer who values both conceptual depth and practical impact—someone who sees design as a tool to serve people, challenge norms, and inspire meaningful change.

DL: What motivates you to design in general, why did you become a designer?

ST : What motivates me to design is the desire to transform ideas into meaningful, human-centered solutions—design, for me, is a way to serve, to express, and to connect. My design journey began with a love for visual arts. I studied fine art for many years, but at one point, I realized I wanted my creative expressions to live beyond the canvas—to move with the body, to exist in everyday life. That realization led me to fashion design, where I saw the potential to blend aesthetics with function in ways that could directly impact people’s lives. I pursued Womenswear Design at the London College of Fashion and later continued my academic path as a PhD candidate at The Hong Kong Polytechnic University, where my research now focuses on sustainable, functional apparel. My motivation has evolved—from artistic exploration to social responsibility. Today, I design not only for beauty or innovation, but to address real-world challenges—whether it’s creating adaptive garments for elderly users or developing smart textiles that promote well-being. I see design as a language that can improve daily life, bridge emotional and physical needs, and inspire progress in a rapidly changing world. That’s what keeps me going.

DL: Did you choose to become a designer, or you were forced to become one?

ST : I chose to become a designer—it was a conscious, passion-driven decision. My creative journey began with a strong foundation in fine art, where I developed a deep appreciation for form, color, and emotional expression. Over time, I felt a growing desire to bring my ideas into real, tangible interaction with people’s lives—not just through images, but through objects that could be worn, touched, and experienced. That realization led me to pursue fashion design. It was never a path I was forced into; rather, it was a natural progression of my interests, values, and desire to make a meaningful impact through creativity. Becoming a designer allowed me to merge my artistic instincts with a sense of purpose, creating not only beautiful things but also functional, inclusive, and sustainable solutions that respond to real human needs. So, yes—it was entirely my choice, and one I continue to stand by every day with pride and purpose.

DL: What do you design, what type of designs do you wish to design more of?

ST : I specialize in designing functional garments that merge aesthetics with purpose—clothing that not only looks good but actively improves the wearer's experience. My work often involves integrating smart textiles, adaptive features, and ergonomic design to meet the needs of specific user groups, such as athletes, the elderly, and individuals with mobility challenges. These projects allow me to explore how fashion can serve as a tool for well-being, independence, and performance. Looking ahead, I hope to design even more functional apparel—especially garments that incorporate wearable technology, sustainable materials, and inclusive design principles. I’m particularly interested in advancing health-monitoring clothing systems and adaptive wear that respond to both physiological and environmental conditions. For me, the future of design lies in creating solutions that are human-centered, intelligent, and responsible—where innovation and empathy go hand in hand.

DL: What should young designers do to become a design legend like you?

ST : I don’t see myself as a design legend—but if I can offer any advice to young designers, it would be this: stay curious, stay committed, and always remember who you are designing for. Creativity is important, but it must be supported by strong technical skills and a deep understanding of the user. Master your craft, learn to communicate your ideas clearly, and never lose sight of the purpose behind your design. Also, don't rush the process. Growth in design comes through continuous learning—through mistakes, through feedback, and through pushing boundaries thoughtfully. Be open to collaboration, stay aware of what’s happening in the world, and let your values guide your decisions. Finally, design with empathy. When your work serves others and contributes to a better future, it naturally becomes meaningful, and that, in my view, is what truly defines success in design.

DL: What distinguishes between a good designer and a great designer?

ST : The difference between a good designer and a great designer lies in intention, empathy, and the ability to create a lasting impact. A good designer can solve problems and create aesthetically pleasing work. But a great designer goes beyond surface-level solutions—they deeply understand their users, challenge existing norms, and design with a clear purpose that reflects social, environmental, and human values. Great designers don’t just follow trends; they set direction. They combine strong technical execution with emotional intelligence, and they remain adaptable, curious, and constantly evolving. What truly distinguishes them is their ability to translate complex needs into simple, elegant, and meaningful design solutions that stand the test of time. In my view, a great designer is not only measured by what they create, but by how thoughtfully and responsibly they create it.

DL: What makes a good design a really good design, how do you evaluate good design?

ST : A truly good design is one that balances function, aesthetics, user experience, sustainability, and impact. To evaluate whether a design is genuinely successful, I consider several key dimensions. First, does it serve a clear purpose and meet the real needs of its users? Functionality is the foundation—if the product doesn’t work well or improve the user’s life, it cannot be considered good design. Second, I look at aesthetic and emotional value. A well-designed object should resonate with its audience, evoke a feeling, or create a meaningful experience. Visual appeal alone isn't enough, but when combined with thoughtful functionality, it enhances user engagement and satisfaction. Third, sustainability plays a crucial role. I ask whether the materials are responsibly sourced, if the design reduces waste, and whether the product is built to last. In today’s world, responsible design is not optional—it’s essential. Finally, I consider market and social relevance. Does the design bring value to the business and the community? Is it scalable, inclusive, and adaptable? A good design becomes a great one when it seamlessly integrates all of these qualities, creating a solution that is not only intelligent and beautiful but also deeply human and forward-thinking.

DL: What is the value of good design? Why should everyone invest in good design?

ST : Good design holds both tangible and intangible value—it enhances functionality, improves quality of life, strengthens brand identity, and promotes long-term sustainability. At its core, good design is not just about aesthetics; it's about creating solutions that are intuitive, efficient, emotionally resonant, and responsible. When design is done well, it makes everyday experiences smoother, more meaningful, and more inclusive. For businesses, investing in good design means investing in innovation, user satisfaction, and market differentiation. A well-designed product not only meets needs but exceeds expectations, building lasting trust with users and giving companies a competitive edge. From a societal perspective, good design addresses real-world challenges—from accessibility and aging populations to climate change—by offering thoughtful, scalable solutions that improve lives without compromising future generations. This is why I believe everyone should invest in good design: because it’s not a luxury—it’s a strategy, a responsibility, and a powerful tool for progress.

DL: What would you design and who would you design for if you had the time?

ST : If I had more time, I would dedicate it to designing advanced adaptive garments for underserved communities, particularly for the elderly, people with disabilities, and individuals with chronic health conditions. These are user groups whose needs are often overlooked in mainstream design, yet they deserve comfort, dignity, and innovation just as much as anyone else. I would focus on integrating smart textiles, sensor technology, and ergonomic structures to create clothing that not only supports their daily lives but also enhances their independence and well-being. Design, to me, is not just about style—it’s about service. If given the opportunity, I would design for those whose lives could be meaningfully improved through thoughtful, inclusive, and functional solutions. That kind of work is not only professionally fulfilling but also deeply human.

DL: What is the dream project you haven’t yet had time to realize?

ST : One dream project I haven’t yet had the time to realize is an emotional fashion installation—an artistic exploration of human feelings through form, texture, movement, and space. Unlike commercial collections, this project would be a pure artistic expression, free from functional or market constraints. It would use fashion as a medium to evoke emotion, tell personal stories, and create an immersive sensory experience for the audience. Because of the conceptual nature of the idea, I’ve been waiting for the right opportunity—perhaps a collaboration with other artists or a partnership with an experimental exhibition platform—to bring it to life. I hope in the future to find the time and support to fully explore this vision, where fashion, art, and emotion can intersect in a deeply meaningful way.

DL: What is your secret recipe of success in design, what is your secret ingredient?

ST : My secret recipe for success in design is always keeping the user’s needs and emotions at the heart of the creative process. Design is not just about creating something visually appealing—it’s about understanding who you are designing for, what they truly need, and how they want to feel. By combining empathy with functionality, I’m able to create solutions that resonate deeply with users and offer real, lasting value. That emotional connection is the secret ingredient that transforms good design into meaningful design.

DL: Who are some other design masters and legends you get inspired from?

ST : One design master who deeply inspires me is jewelry designer JAR (Joel Arthur Rosenthal). Known for his extraordinary craftsmanship and artistic vision, JAR’s work stands at the intersection of fine art and high jewelry. What I find most compelling is his fearless approach to form, texture, and color—each piece is sculptural, emotionally rich, and unapologetically unique. His attention to detail, use of unconventional materials, and commitment to creative integrity remind me that design is not only about aesthetics, but about telling powerful stories through objects. JAR’s work continues to inspire me to pursue originality, emotional depth, and technical excellence in my own practice.

DL: What are your favorite designs by other designers, why do you like them?

ST : One of my favorite design works is the architectural portfolio of Zaha Hadid. Her use of fluid, dynamic lines and bold spatial compositions has had a profound influence on my design thinking, especially in terms of form, movement, and how a structure can emotionally engage with its surroundings. What I admire most is how her work challenges conventional geometry and redefines the relationship between space and the human body. Her architectural language feels almost organic, yet futuristic, striking a perfect balance between strength and elegance. Zaha Hadid’s designs have inspired me to explore more sculptural silhouettes and expressive lines in my work, reminding me that design can be both functional and poetic.

DL: What is your greatest design, which aspects of that design makes you think it is great?

ST : One of my greatest design achievements is the health-monitoring vest I developed for elderly users, which also includes a fall detection and alert system. This design stands out not only because of its technical innovation but because of its meaningful social impact. The vest integrates smart textile technology and body sensors to monitor vital health data in real time, while also providing early warnings in case of sudden falls—one of the leading risks to elderly safety. What makes this design truly special is its user-centered approach. It was developed with comfort, dignity, and daily usability in mind. The silhouette is ergonomic, the fabric is breathable and soft against the skin, and the technology is seamlessly embedded to ensure wearability without disrupting the user’s lifestyle. Beyond functionality, this design reflects my deeper philosophy: design should serve people and enhance quality of life. It’s a solution that bridges fashion, technology, and care, offering peace of mind to families and greater independence to aging individuals. That combination of innovation, empathy, and real-world application is what makes this project one of my most proud and impactful works.

DL: How could people improve themselves to be better designers, what did you do?

ST : To become a better designer, continuous learning and hands-on practice are essential. Design is an ever-evolving discipline, and staying curious, open-minded, and adaptable is key to growth. I believe that improvement comes not only from studying theory but also from experimenting, making mistakes, and refining ideas through real-world application. Personally, I constantly seek new knowledge—whether through academic research, collaboration with experts in other fields, or staying updated on the latest materials and technologies. At the same time, I prioritize consistent practice: sketching, prototyping, testing, and iterating. Each project becomes a learning opportunity. The more you design with intention, the more you understand what works and why. That mindset of lifelong learning and active experimentation is what has helped me—and what I believe will help any designer—evolve and succeed.

DL: If you hadn’t become a designer, what would you have done?

ST : If I hadn’t become a designer, I would probably have pursued a creative path as a music producer or a flamenco dancer—both of which remain personal passions of mine. Music and dance have always been powerful sources of inspiration for me. They share the same emotional depth, rhythm, and storytelling that I value in design. I’m especially drawn to flamenco for its intensity and expressive power, and to music production for its ability to shape atmosphere and emotion. While design became my professional calling, these artistic forms continue to influence my creative process. They remind me that movement, sound, and emotion are universal languages—just like design. So even if I hadn’t chosen this path, I believe I would still be creating, feeling, and expressing in some deeply human way.

DL: How do you define design, what is design for you?

ST : For me, design is the art of solving problems with empathy, creativity, and purpose. It is not just about creating beautiful objects—it’s about improving lives, enhancing experiences, and addressing real human needs. Good design bridges the gap between function and emotion; it communicates, supports, and elevates the way we live. Design is also a language—one that allows us to tell stories, express values, and shape culture. In my work, I see design as a tool for service: it must be thoughtful, responsible, and inclusive. Whether I’m designing a health-monitoring garment or exploring new materials, my goal is always the same—to create solutions that are meaningful, sustainable, and human-centered. In essence, design is not just what we make—it’s how we care.

DL: Who helped you to reach these heights, who was your biggest supporter?

ST : Reaching this stage in my design career has been a collective effort, and I’m deeply grateful for the people and institutions who have supported me along the way. My collaborative partners have played a vital role, providing access to an exceptional supply chain that has enabled us to turn concepts into high-quality, scalable products. On the technical side, my co-founder has been instrumental. With advanced research capabilities and deep expertise in material innovation, their contributions have been key to driving the scientific foundation of our work. I’m also incredibly thankful for the strong support from The Hong Kong Polytechnic University and Hong Kong Science & Technology Parks, both of which have offered critical resources, mentorship, and funding throughout our development. Their commitment to fostering innovation and interdisciplinary collaboration has made it possible for our ideas to grow and thrive. Success is never achieved alone, and I’m fortunate to have had the right people, partnerships, and platforms guiding and supporting this journey.

DL: What helped you to become a great designer?

ST : What helped me become a better designer is a combination of continuous learning, deep empathy for users, and the courage to explore beyond boundaries. My background gave me a strong visual foundation, but it was my dedication to mastering technical skills and understanding real human needs that truly shaped my design approach. I believe that great design comes from balancing creativity with responsibility, serving both function and feeling. Working closely with engineers, researchers, and users has taught me to listen more than assume, and to design with purpose rather than trend. The support of my team, access to a strong supply chain, and collaborations with institutions have also been critical in transforming ideas into meaningful, scalable solutions. Ultimately, what drives my growth is a mindset of curiosity, resilience, and the belief that design is not just about making things—it’s about making a difference.

DL: What were the obstacles you faced before becoming a design master?

ST : Before reaching where I am today, I faced many obstacles—most of which came from balancing creativity with practicality, and turning visionary ideas into real, functional products. One of the key challenges was the complexity of developing functional garments that integrate technology while remaining comfortable, wearable, and aesthetically appealing. Working in this niche field required not only design expertise but also deep collaboration with scientists, engineers, and supply chain partners, which took time to build and align. Another major challenge was navigating the limitations of early-stage entrepreneurship. As a startup founder, I had to manage both the creative and business aspects—securing funding, sourcing sustainable materials, and building partnerships, all while staying true to my design philosophy. These obstacles taught me resilience, adaptability, and how to turn constraints into opportunities—and that, in many ways, was the most valuable part of the journey.

DL: How do you think designers should present their work?

ST : I believe designers should present their work with clarity, intention, and a strong sense of purpose. A successful presentation goes beyond showcasing visuals—it should tell a compelling story. Designers need to communicate not only what the design looks like, but also why it exists, who it serves, and how it creates value. This includes articulating the design process, user insights, material choices, and functional benefits in a structured and engaging way. In my view, a good presentation should strike a balance between emotional resonance and technical precision. It should reflect the designer’s vision, while also demonstrating awareness of context, usability, and sustainability. Ultimately, presenting design is not just about impressing an audience—it’s about building understanding, trust, and connection. When done thoughtfully, a well-presented design can inspire dialogue, attract collaboration, and amplify the impact of the work far beyond its original scope.

DL: What’s your next design project, what should we expect from you in future?

ST : My next design project is a textile-based sensor sportswear collection developed specifically for athletes and their coaches. This upcoming collection integrates advanced wearable technology into high-performance garments, allowing for real-time monitoring of health indicators and physical activity. The goal is to provide actionable insights that support injury prevention, optimize training outcomes, and enhance overall athletic performance. What sets this project apart is the seamless fusion of functionality, comfort, and intelligent design. The garments are designed to feel like regular sportswear while delivering precise data through embedded textile sensors, making them both practical and cutting-edge. Looking ahead, you can expect more innovations from me at the intersection of fashion, technology, and human-centered design. My focus remains on creating smart, sustainable solutions that empower users and push the boundaries of what functional apparel can achieve.

DL: What’s your ultimate goal as a designer?

ST : My ultimate goal as a designer is to create work that genuinely improves people's lives while contributing to a more inclusive, sustainable, and human-centered future. I aim to design beyond aesthetics—developing functional, adaptive, and intelligent garments that serve real needs, particularly for those often overlooked in the mainstream fashion industry, such as the elderly, people with disabilities, and athletes requiring performance-focused solutions. At the heart of my work is a belief that design is a form of care—one that blends empathy, innovation, and responsibility. I want my designs to not only solve problems but also communicate warmth, dignity, and emotional connection. Ultimately, I don’t seek fame—I measure success by the positive impact my work has on users and the environment. If my designs can empower individuals, support well-being, and promote meaningful change, then I will consider my mission as a designer truly fulfilled.

DL: What people expect from an esteemed designer such as yourself?

ST : I believe people expect an esteemed designer to deliver work that is not only creative and visually compelling but also meaningful, responsible, and forward-thinking. In today’s world, it’s no longer enough to design for aesthetics alone—people look to designers to lead with purpose, to solve real problems, and to anticipate the evolving needs of society. As someone working at the intersection of fashion, functionality, and sustainability, I feel a responsibility to create designs that serve users, respect the environment, and push the boundaries of innovation. Clients, collaborators, and users expect integrity in both the process and the outcome—designs that are technically sound, emotionally resonant, and socially conscious. They also expect leadership in setting new standards, whether that’s through material innovation, inclusive design practices, or ethical production systems. Ultimately, what people seek is trust: trust that the designer will listen, understand, and deliver work that enhances life in both subtle and significant ways. I strive to meet that expectation through every project I undertake.

DL: How does design help create a better society?

ST : Design plays a vital role in creating a better society by addressing human needs, promoting inclusivity, and fostering sustainable development. At its best, design is not just about creating objects—it’s about shaping systems, environments, and experiences that improve quality of life. Whether through adaptive garments that empower the elderly, sustainable materials that reduce environmental impact, or intuitive interfaces that make technology more accessible, design has the power to solve real-world problems and drive meaningful change. A thoughtful design can give voice to underserved communities, promote well-being, and enhance dignity. It can also encourage responsible consumption and more conscious lifestyles by offering alternatives that are both functional and ethical. In my work, I see design as a bridge between innovation and compassion. When we design with empathy and intention, we don’t just make better products—we help build a more inclusive, equitable, and sustainable future. That, to me, is the true purpose and power of design in society.

DL: What are you currently working on that you are especially excited about?

ST : I’m currently working on a textile-based sensor adaptive design collection, and it’s one of the most exciting projects I’ve developed to date. This collection integrates smart textiles with ergonomic design to create garments that respond to the wearer’s physiological and movement data in real time. It’s designed not only for athletes, but also for individuals with specific health or mobility needs—bridging performance wear and health-focused innovation. What excites me most is the potential of this collection to redefine the relationship between the body and clothing. By embedding sensors directly into the fabric, we’re creating garments that can monitor posture, detect fatigue, and even support fall prevention, while remaining lightweight, comfortable, and visually refined. This project represents the intersection of fashion, technology, and care, and it reflects my broader mission to create inclusive, functional, and emotionally resonant design. I look forward to sharing it with a wider audience and exploring new possibilities for wearable intelligence in everyday life.

DL: Which design projects gave you the most satisfaction, why?

ST : One of the design projects that gave me the most satisfaction was the development of a health-monitoring vest for elderly users, which includes a fall detection and alert system. This project was particularly meaningful because it addressed a real, pressing need in society—ensuring the safety, dignity, and independence of aging individuals. It combined functional garment design with embedded sensor technology and a connected digital platform, allowing for real-time health tracking and timely emergency response. What made the experience so rewarding was seeing how thoughtful design could directly impact people’s daily lives. From the ergonomic fit to the breathable, skin-friendly fabric and seamless technology integration, every detail was guided by empathy and user feedback. Knowing that this product could bring peace of mind to families and empower seniors to live more independently gave the project a profound sense of purpose. It reminded me that the true value of design lies not only in innovation, but in its ability to care, connect, and create lasting change.

DL: What would you like to see changed in design industry in the coming years?

ST : In the coming years, I would like to see the design industry place even greater emphasis on sustainability, material innovation, and meaningful technological integration. Specifically, I hope to see the widespread development and adoption of biodegradable and fully recyclable materials—not just as niche options, but as industry standards. These materials have the potential to dramatically reduce environmental impact and reshape how we think about the entire lifecycle of a product. I also envision a future where garments become more intelligent, with wearable technologies seamlessly embedded to support health, performance, and personalization without compromising comfort or aesthetics. Smart fashion should move beyond novelty and become a functional, accessible tool for enhancing everyday life. Lastly, I believe it’s time for sustainable fashion to evolve from concept to concrete practice, with measurable outcomes, transparent supply chains, and real accountability. I would like to see designers, brands, and manufacturers working more collaboratively to build a design ecosystem that is not only innovative but ethical and regenerative. That, to me, is the future worth designing for.

DL: Where do you think the design field is headed next?

ST : I believe the design field is moving toward a future where sustainability, smart technology, and human-centered innovation converge. We’re entering a new era where design is not only about aesthetics or trends, but about solving complex global challenges—environmental, social, and technological. The next frontier lies in sustainable material innovation, such as biodegradable, recyclable, and regenerative textiles that reduce environmental impact and promote circularity. At the same time, the integration of wearable technology and intelligent systems will continue to grow, particularly in fashion and product design, offering personalized, data-driven solutions that support health, performance, and well-being in real time. Another key direction is inclusive and adaptive design—creating solutions for diverse bodies, abilities, and lifestyles. Designers will increasingly need to consider accessibility, flexibility, and long-term value in everything they create. Overall, I see the future of design as more interdisciplinary, ethical, and experience-driven, where creativity is used not just to make things, but to make a positive difference.

DL: How long does it take you to finalize a design project?

ST : The time it takes to finalize a design project can vary significantly depending on its complexity, scale, and level of innovation involved. For example, if I’m making modifications to an existing product, the process is relatively efficient and can be completed within a few weeks. However, for more advanced projects—especially those involving new fabric development, embedded sensor technology, or adaptive garment structures—the timeline can extend to several months. These projects require multiple stages, including concept development, material sourcing, prototyping, user testing, and iterative refinement. Since I work in the field of functional and sustainable design, we also allocate additional time to ensure that the product performs well technically, meets real user needs, and aligns with our environmental goals. I believe that good design takes time—not just to execute, but to listen, test, and improve. While timelines are important, quality, purpose, and impact always guide when a project is truly ready for launch.

DL: When you have a new design project, where do you start?

ST : When I begin a new design project, I always start with in-depth research and a clear definition of the user’s needs. Understanding the purpose of the design—who it is for, what problem it aims to solve, and how it will be used—is the foundation of my process. This involves gathering user insights, analyzing market trends, studying materials, and identifying technological possibilities. Once the core concept is established, I develop a design narrative that aligns with the brand’s philosophy and functional objectives. From there, I move into sketching, prototyping, and selecting suitable fabrics—often prioritizing smart, sustainable, or adaptive materials depending on the project’s goals. For me, design always begins with empathy and intention, and evolves through iteration, testing, and refinement. Starting with a deep understanding of context ensures that every creative decision serves a real purpose and delivers meaningful impact.

DL: What is your life motto as a designer?

ST : My life motto as a designer is: Design with empathy, create with purpose. I believe that good design begins by truly understanding people—their needs, emotions, and environments—and translating that understanding into solutions that improve lives in thoughtful, sustainable ways. For me, design is not just about innovation or aesthetics—it’s about responsibility. Every decision, from material choice to functionality, should reflect a deeper intention to serve users and respect the world we live in. This guiding principle keeps my work grounded, purposeful, and forward-thinking, reminding me that meaningful design is not measured by trends, but by the positive impact it leaves behind.

DL: Do you think design sets the trends or trends set the designs?

ST : I believe design and trends have a dynamic, reciprocal relationship—but truly impactful design often sets the trends, not the other way around. While trends can reflect societal shifts, emerging technologies, and changing consumer behaviors that influence design directions, it is the designer’s role to interpret, challenge, and sometimes redefine those trends through innovation and vision. For me, trend awareness is important, especially in understanding market context and cultural relevance. However, my work is primarily driven by user needs, functionality, and long-term sustainability, rather than short-term fashion cycles. When design is grounded in purpose and insight, it can shape new narratives and lead the industry forward—creating trends that matter. In essence, great design doesn’t just follow—it anticipates, influences, and inspires.

DL: What is the role of technology when you design?

ST : Technology plays a central and indispensable role in my design process—it is at the forefront of everything I create. Whether it’s through the integration of textile-based sensors, the development of smart, adaptive garments, or the use of advanced digital tools for prototyping and simulation, technology enables me to push the boundaries of what design can achieve. It allows for precision, personalization, and performance that traditional methods alone cannot offer. More importantly, it empowers me to create solutions that are not only innovative but also deeply responsive to real-world needs—especially in areas like health monitoring, sustainability, and inclusive design. In my view, technology is not just a tool—it is a design partner, one that transforms ideas into intelligent, impactful, and future-ready products.

DL: What kind of design software and equipment do you use in your work?

ST : In my design work, I use a combination of digital software and physical tools to support both creative exploration and technical precision. For digital design and development, I rely on software such as Adobe Illustrator and Photoshop for sketching, graphics, and visual storytelling. On the technical side, I collaborate with partners who use sensor integration tools, 3D body scanning, and fabric testing equipment to develop and validate the performance of smart and functional garments. When designing adaptive wear or textile-based sensor garments, we often combine computer-aided pattern making with embedded electronics and custom testing setups. This hybrid approach—blending creativity, technology, and engineering—allows me to maintain full control over both the aesthetics and the functionality of each design, ensuring that the final product meets the highest standards of innovation, comfort, and user experience.

DL: What is the role of the color, materials and ambient in design?

ST : Color, materials, and ambiance play a fundamental role in design—they are not just visual or tactile elements, but powerful tools for communication, emotion, and functionality. Color helps establish mood, identity, and psychological response. It can make a design feel calm or energetic, inclusive or exclusive, bold or understated. I use color strategically to connect with the user's emotional experience and enhance the purpose of the garment or product. Materials are equally critical. In my work, material selection is deeply tied to performance and sustainability. The right fabric can influence breathability, durability, adaptability, and comfort—especially in functional or wearable technology applications. I prioritize materials that are biodegradable, recyclable, or possess smart capabilities, depending on the design objective. Ambience, whether physical or conceptual, sets the context in which the design is experienced. It informs how users interact with a product and how that product integrates into daily life. Whether it's a soft lighting condition in a fashion installation or the sensory environment for adaptive wear, ambiance enhances how a design is perceived and felt.

DL: What do you wish people to ask about your design?

ST : I wish people would ask not only how my designs look, but more importantly, why they were created and for whom they are created. Behind every piece I design is a thoughtful exploration of real human needs—whether it’s improving mobility for the elderly, integrating health-monitoring functions, or creating adaptive garments that enhance comfort and dignity. I want people to be curious about the purpose, the problem being solved, and the emotional or physical experience the design is meant to support. Design is not just about form—it’s about intention. So when someone asks, “What impact does this design have on someone’s life?” or “How does this material choice support sustainability or well-being?”—those are the questions that truly resonate with me. Ultimately, I hope my work invites people to look deeper, to see design as a solution, a story, and a service.

DL: When you see a new great design or product what comes into your mind?

ST : When I see a new great design or product, the first thing that comes to mind is: What problem does it solve, and how thoughtfully was it created? I’m always curious about the intention behind the design—why it was made, who it serves, and what kind of impact it delivers. I look at how the designer has balanced function, emotion, and sustainability. Is it user-centered? Is the material choice responsible? Does it offer a new way of thinking or interacting? A truly great design doesn’t just impress me visually—it makes me pause and reflect on its relevance and purpose. It often sparks inspiration and reminds me of the power of design to create meaningful change through subtle yet intelligent choices. Ultimately, I admire designs that are not only innovative but also empathetic, efficient, and ethical—designs that feel inevitable because they are so perfectly aligned with human needs.

DL: Who is your ideal design partner? Do you believe in co-design?

ST : My current design partner is truly my ideal collaborator. We complement each other’s strengths—while I lead the creative direction and user-centered design strategies, my partner brings deep technical expertise and advanced research capabilities. This balance allows us to co-create solutions that are not only innovative but also scientifically grounded and practically feasible. Yes, I strongly believe in co-design. Collaboration enriches the design process by bringing diverse perspectives, challenging assumptions, and ensuring that the outcome is more holistic and inclusive. When designers, engineers, users, and researchers come together with a shared vision, the results are often more impactful and meaningful. For me, the best design happens when creativity and science meet—when ideas are not only imagined but rigorously tested, refined, and built together. That’s what co-design enables, and that’s why I value it deeply.

DL: Which people you interacted had the most influence on your design?

ST : The people who have had the most influence on my design are my core users. Their needs, challenges, and lived experiences are the foundation of my creative process. Whether I’m designing for the elderly, individuals with limited mobility, or performance-focused athletes, I always begin by listening, closely observing how they move, what they struggle with, and what brings them comfort or confidence. User feedback, both verbal and nonverbal, often reveals insights that no trend report or textbook can offer. It is through this direct interaction that I learn how to create solutions that are not only functional and inclusive but also emotionally resonant. Designing with and for real people constantly reminds me of the true purpose of my work: to improve lives in meaningful, tangible ways. My users are not just the end point—they are my greatest teachers and collaborators throughout the entire process.

DL: Which books you read had the most effect on your design?

ST : Several books have had a profound influence on my design thinking, especially Ways of Seeing by John Berger and readings on speculative design. Ways of Seeing reshaped how I interpret visual culture, encouraging me to look beyond the surface of images and objects to understand the systems of meaning, perception, and power that surround them. It deepened my awareness of how design communicates and how it can subtly shape or challenge societal norms. Books on speculative design, such as Speculative Everything by Anthony Dunne and Fiona Raby, also inspired me to think about design not just as a solution to current problems, but as a medium for imagining alternative futures. These texts encouraged me to explore the ethical, cultural, and emotional dimensions of design, especially concerning emerging technologies and user experience. These readings continue to influence my approach, reminding me to design with critical thinking, narrative depth, and a future-forward mindset.

DL: How did you develop your skills as a master designer?

ST : I developed my skills as a designer through a continuous process of learning, practice, and deep engagement with real-world needs. My foundation began with a strong background in fine art, which taught me visual sensitivity and composition. From there, I pursued formal education in fashion design at the London College of Fashion, and later advanced my research at The Hong Kong Polytechnic University, where I focused on sustainable and functional apparel systems. However, the most valuable growth came from constant hands-on experience—prototyping, testing, refining, and working closely with users, engineers, and industry partners. Designing for specific communities, such as the elderly or athletes, challenged me to push beyond aesthetics and develop solutions grounded in empathy, functionality, and technology. I also place great importance on staying current with material innovations, wearable technologies, and sustainability strategies. This commitment to interdisciplinary knowledge, paired with my design intuition, is what allows me to evolve continuously and maintain a user-centered approach at every stage of the process. In short, I became the designer I am today by combining creative exploration with technical rigor and by always designing with purpose.

DL: Irrelative of time and space, who you would want to meet, talk and discuss with?

ST : If time and space were not limitations, I would love to meet and have a conversation with Zaha Hadid. Her visionary approach to design—how she redefined form, space, and structure—has been a profound source of inspiration for me. I admire her fearless pursuit of innovation, her ability to challenge conventional boundaries, and the way she blended fluid aesthetics with bold architectural thinking. I would be especially interested in discussing how she translated complex ideas into tangible, emotionally resonant experiences and how she navigated the challenges of being a pioneer in a traditionally rigid industry. Her work continues to influence how I think about silhouette, movement, and the relationship between the human body and its environment. To exchange ideas with a creative mind like hers would be a powerful opportunity to reflect on the future of design across disciplines—from architecture to fashion and beyond.

DL: How do you feel about all the awards and recognition you had, is it hard to be famous?

ST : I’m truly grateful for the awards and recognition I’ve received—they affirm the value of the work I do and the purpose behind it. However, for me, design has never been about seeking fame. It’s about creating solutions that matter—serving users, addressing real-world challenges, and pushing the boundaries of innovation and responsibility. Recognition is meaningful when it reflects those values and opens new opportunities for collaboration, impact, and dialogue. Fame, in itself, is not my goal. What matters most is that the products I design are truly useful, emotionally resonant, and environmentally responsible. If being recognized allows me to amplify those messages and bring more attention to the importance of inclusive, sustainable design, then I welcome it. That said, staying grounded, focused, and authentic is essential. No matter how visible the work becomes, I always return to the same question: Who am I designing for, and how can this design make their life better?

DL: What is your favorite color, place, food, season, thing and brand?

ST : My favorite color is black—it represents both strength and simplicity, and serves as a timeless foundation in both fashion and design. My favorite place is Hong Kong, a city where East meets West, tradition meets innovation. Its cultural duality and dynamic energy constantly inspire my creative process. When it comes to food, I enjoy Mediterranean cuisine for its balance, freshness, and connection to nature, similar to the values I pursue in sustainable design. My favorite season is autumn—a time of transition and reflection, with textures, tones, and moods that often influence my design palettes. My favorite thing is my sketchbook, where every concept begins. It’s a space for intuition, experimentation, and imagination—essential to my creative identity. And my favorite brand is Aesop—not just for its aesthetic and product quality, but for its quiet elegance, respect for detail, and commitment to thoughtful, sustainable living.

DL: Please tell us a little memoir, a funny thing you had experienced as a designer?

ST : One of my most memorable—and heartwarming—experiences as a designer was when my parents found out I was developing a functional garment for elderly users. They were incredibly excited, far more than I had expected. They became my very first product testers! Watching them interact with the prototypes—offering detailed feedback, testing features, and proudly wearing the garments—was both amusing and deeply touching. What made it truly special (and a little funny) was how seriously they took their “role.” They would wear the samples around the house and even to the park, proudly telling their friends, “This is my daughter’s design!” Their enthusiasm reminded me just how personal and emotional design can be, especially when the users are your own family. It was a joyful reminder that design isn’t just about innovation; it’s about connection. And sometimes, your most meaningful validation doesn’t come from an award jury—but from the people who raised you.

DL: What makes your day great as a designer, how do you motivate yourself?

ST : What makes my day great as a designer is seeing my work make a real difference in someone’s life—when a user feels more confident, more comfortable, or more independent because of something I created. That sense of purpose is my greatest motivation. Knowing that design can go beyond aesthetics to deliver impact—whether it’s through smart technology, sustainable materials, or inclusive functionality—drives me to keep pushing boundaries. I also find motivation in the process itself: sketching early concepts, collaborating with my team, testing new materials, and solving unexpected challenges. Even small progress, like refining a detail or receiving meaningful user feedback, gives me energy and satisfaction. And of course, I stay inspired by staying connected to art, to nature, to people. At the end of the day, what fuels me is the belief that design is a form of care, and through it, we can shape a better, more thoughtful world.

DL: When you were a little child, was it obvious that you would become a great designer?

ST : Looking back, I don’t think it was obvious that I would become a designer, but the signs were there. As a child, I was always drawing, observing people, and fascinated by how things were made. I was deeply curious about textures, colors, and the way materials moved. I didn’t know it was called “design” at the time—I just knew I loved creating things that had both beauty and meaning. Over time, that passion evolved into a more focused pursuit. My early background in fine art gave me a strong visual foundation, and my curiosity naturally led me to fashion and functional design, where I could merge creativity with purpose. So while it may not have been obvious to others, in my heart, I think I was always on the path toward becoming a designer—one who strives to make everyday life a little more thoughtful, inclusive, and inspired.

DL: What do you think about future; what do you see will happen in thousand years from now?

ST : When I think about the future—especially a thousand years from now—I imagine a world where design, technology, and sustainability are no longer separate disciplines, but fully integrated into daily life in ways that are intuitive, regenerative, and deeply human. I believe the future of design will be adaptive, intelligent, and environmentally symbiotic. Materials may be self-healing, biodegradable by design, or even biologically responsive. Clothing might support not only physical performance, but emotional and cognitive well-being—acting as an extension of the body and mind. I also see a future where design is driven by empathy and ethics, not just function or aesthetics. Where every product is created with full circularity in mind, and where inclusivity is not a trend, but a given. While no one can predict the future with certainty, I believe that if we design with care, courage, and imagination today, we can shape a world that is not only more advanced but more compassionate, resilient, and beautiful for generations to come.

DL: Please tell us anything you wish your fans to know about you, your design and anything else?

ST : What I would love for people to know is that my work has never been about spotlighting the designer—it’s always been about creating meaningful, human-centered design that serves real needs. I hope people will focus on the purpose, intention, and impact behind each piece, rather than just the name behind it. Every design I create is a response to someone’s story—a reflection of care, function, and thoughtful innovation. If there’s one thing I ask of those who follow my work, it’s this: pay attention to how the design makes you feel, how it helps you, how it respects the world we live in. That’s where the true value lies. Thank you for supporting the mission, not just the maker. Let’s continue to shape a more inclusive, sustainable, and thoughtful future through design that speaks not of the designer, but for the people.