Design Legends ("DL") had the distinct honour to interview legendary designer Yong Cao ("YC") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
YC : I studied Graphic Design and Environmental Art Design in university, and after graduating, I have been working in brand design for many years, covering fields such as branding, product, packaging, and spatial design.
YC : Passion drives my design work—I love using design to transform everyday objects and environments around us.
YC : I consciously chose the profession of designer and take great pride in this path.
YC : I have designed numerous brand identities and products, and I look forward to exploring more types of design that I haven't yet experienced.
YC : Adhere to independent thinking, maintain an original heart, and hold design in reverence.
YC : Good designers provide visual enjoyment, while great designers offer solace to the soul.
YC : It is the resonance from users or readers that elevates a good design to a truly great one. Great designs always bring me inspiration.
YC : The value of good design is a reflection of human progress—it represents the evolving integration of technology and art, shaping the course of human civilization.
YC : I enjoy designing playful, practical, and interesting small products tailored for hard-working young professionals.
YC : There are countless examples in daily life—so many products that are awkward or inefficient to use. I'm always eager to redesign and improve them.
YC : Start from the essence of the problem, identify solutions, and complement them with aesthetic design.
YC : There are many. Rather than being inspired by design masters or legendary figures, I find greater inspiration in the great designs themselves.
YC : I love Philippe Starck's Juicy Salif alien-inspired lemon squeezer—it's functional, visually striking, and full of imagination.
YC : I believe it's the TreSound mini speaker—it's practical, aesthetically pleasing, and full of imagination.
YC : Try to understand great designs and learn about the creative processes behind them—this will help you develop a thought process similar to that of master designers.
YC : I suppose I should paint—it brings me a sense of tranquility, and I enjoy thinking quietly.
YC : Design is a form of transformation—it alters product forms, enhances functional experiences, and reshapes industries and markets. Practical and aesthetically pleasing designs are what resonate with me.
YC : My clients and partners have collaborated with me to bring numerous designs to life, and my family has been my greatest source of support.
YC : Sensitivity to market trends and meticulous attention to detail have been invaluable assets in my work.
YC : Obstacles have always existed—whether from within myself, clients, or technical challenges.
YC : Actively participate in various design competitions and actively share on social media platforms.
YC : I am currently designing a set of retro music player products, comprising a combination of three players: vinyl, CD, and cassette.
YC : Using products I designed myself.
YC : I aspire to create more products that are practical, aesthetically pleasing, and full of imagination.
YC : Design is the fusion of technology and art, where advancements in both fields contribute to building a better society.
YC : I'm currently working on a design and feel particularly excited.
YC : I am most satisfied with the product design of the TreSound series Bluetooth speakers from the TRETTITRE brand because they are practical, aesthetically pleasing, and full of imagination.
YC : I hope to see how advancements in technology, along with the emergence of new materials and techniques, are influencing transformative changes in design.
YC : I believe the field of design will have broader development directions in the era of AI, breaking through conventional thinking.
YC : The time required to complete a design project depends on its content. Typically, a design solution can be finished within one to three months.
YC : I start from the purpose of the design project, integrate the project background and industry context, and put myself in the roles of both the client and the user to conceptualize the design solution.
YC : Slow and steady wins the race.
YC : I believe there is no leading relationship between design and trends; rather, they occur simultaneously and complement each other.
YC : It can help me achieve the desired effect.
YC : The most frequently used software in my work is Illustrator, and the device is a Mac.
YC : Color, materials, and environment play an extremely important role in design, equivalent to the skeleton and skin that help bring the core of the design to life.
YC : I hope people will ask, "Is it expensive?"—because that indicates the practical or emotional value of the design has surpassed its actual cost.
YC : I will try to think like the designer behind this great work, seeking to understand their thought process.
YC : I believe in co-design, and my clients are my ideal design partners.
YC : Interactions with design peers, clients, material and manufacturing suppliers, consumers, and others all influence my design work.
YC : Plane composition, color composition, three-dimensional composition.
YC : Agile design thinking.
YC : I don't know, I haven't thought it through yet.
YC : I was very happy the moment I learned about winning the award—it meant my work was recognized by professional judges in the industry.
YC : I like the color green, Shenzhen, hot pot, spring, and apples.
YC : Come to think of it, as a designer—though this profession is often mentioned or seems familiar—many people don't truly understand the specific scope of our work. Moreover, since design spans so many different fields, explaining what I do always turns out to be quite complicated. That's why I almost dread being asked, "What do you do for a living?" and especially, "What exactly does that mean?"
YC : My unwavering passion for design is a key reason why I have fulfilling days. I don't need external motivation—the desire to create outstanding design work is motivation in itself.
YC : Perhaps that's the case. Having a self-regulated grasp of the things and objects around me might just be the budding stage of design thinking.
YC : The future may also be the past—it's hard to imagine. Live in the present.
YC : For more information, please visit https://wildgrass.design

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