Design Legends ("DL") had the distinct honour to interview legendary designer Yu Lin Hsu ("YLH") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
YLH : Columbia University M.S.AUD Taiwanese Licensed Architect These Design Award of National Cheng Kung University Bachelor of Architecture
YLH : It’s a way to shape how people live, move, and feel in space. I became a designer because I’ve always believed that space holds emotion and I wanted to learn how to translate that into form.
YLH : Growing up in Tainan, surrounded by texture, material, and slow-paced urban life, I developed a sensitivity to space early on. That sense of atmosphere stayed with me.
YLH : I design across scales from interiors and architecture to urban strategies. I wish to engage more with public-facing designs that integrate social infrastructure and cultural narratives.
YLH : Design is a long game, and those who continuously ask “why” tend to create meaningful work. Learn to listen deeply to materials, to people, to places.
YLH : A good designer solves problems; a great designer uncovers unseen potential. The difference is often empathy and courage.
YLH : It resonates beyond function. A good design reveals layers the more you interact with it.
YLH : Good design shapes how we experience the world. It brings dignity, efficiency, beauty, and inclusivity into our everyday lives.
YLH : For people who don't have the power and money.
YLH : A decentralized public infrastructure system across multiple cities that blends urban design, clean energy, and community rituals.
YLH : Calm observation. I listen to what the site, client, and context are saying.
YLH : Herzog & de meuron, for how they design with materials. Richard Rogers, for how he treat people and the world with empathy.
YLH : I have too much in mind.
YLH : JLs' home. I like the interaction and trust in the process.
YLH : Travel and expose yourself to different scales and fields. I went from interiors to infrastructure, which made me more holistic in thinking and flexible in execution.
YLH : maybe doctor.
YLH : Design is a way of caring. It’s how we organize form to reflect meaning, experience, and possibility.
YLH : My family and friends.
YLH : Empathy, consistency, and the willingness to see through ambiguity.
YLH : The reality.
YLH : With clarity and conviction.
YLH : I have multiple things going on, and some of the recent works are residential interior design, but I'd love to try something bigger scale.
YLH : To shape systems and spaces that empower people.
YLH : To lead with clarity, uplift others, and bring beauty and intelligence into built form.
YLH : Design gives structure to values. It can amplify care, justice, and resilience in how we live together.
YLH : I was working on a mobility justice project in Niterói, Brazil, which reimagines transit infrastructure to better serve caregivers and marginalized communities. It’s a chance to blend urban design with equity and climate awareness.
YLH : The project with clients' full trust.
YLH : I hope design is no longer seen as the “aesthetic finish,” but as an integrated strategic tool from the start.
YLH : Toward systemic design where spatial design intersects with social equity, sustainability, and urban resilience.
YLH : It depends on the scale, but I believe in designing through every phase from concept to construction. For interiors, 3 to 6 months; for architecture, up to 2 years; and for urban design, even longer. Good design takes time to listen, test, and refine.
YLH : I always start with the people and the place. Who will use this space? What stories does the site already hold? These two layers shape the design far more than just program and form.
YLH : Stay curious, grounded, and humble.
YLH : Designers who deeply observe culture often set trends. True innovation comes not from reacting to fashion, but from responding to deeper shifts in how we live and think.
YLH : It helps me visualize ideas faster, coordinate across disciplines, and test spatial decisions.
YLH : Revit and Enscape the most.
YLH : They are the emotional voice of the design. Materials speak to memory and tactility, color sets tone and mood, and ambient light breathes life into space.
YLH : I wish they would ask, “What did this space hope to achieve?” Because design isn’t just about aesthetics, it’s about shifting perception, comfort, and use.
YLH : I think about what was left out. Great design often involves restraint - what not to say, not just what to show.
YLH : My ideal partner is someone who brings a different lens, questions deeply, and enjoys the process as much as the outcome.
YLH : My mentors in both Taiwan and the U.S., who taught me how to balance practicality with imagination. Also, project managers I worked with in the public sector for they shaped my understanding of responsibility and execution.
YLH : A Place for All People: Life, Architecture and the Fair Society - Richard Rogers
YLH : By staying in motion between scales, between disciplines. From running my own practice to managing public works, and studying urban design at Columbia, each layer challenged and sharpened me.
YLH : Herzog & de meuron.
YLH : Recognition is an honor but it’s not the goal. I take it as encouragement that the values I believe in.
YLH : Food: anything warm and brothy.
YLH : When I see an idea become tangible—when a sketch becomes a form, or a space receives someone’s joy, that keeps me going. I motivate myself by reminding myself that design can make someone’s life even slightly better.
YLH : Maybe not “obvious,” but I think I’ve always been drawn to form, rhythm, and space.
YLH : Design is how we leave traces of care in the world. Whether big or small, every act of design is a chance to shape experience, so be careful.
YLH : I’m calm, curious, and determined. I believe beauty can be strategic and that good design, at its best, is both poetic and practical.
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