Design Legends ("DL") had the distinct honour to interview legendary designer Maxim Kashin ("MK") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
MK : I have been working as an architect for twelve years since graduating from the Architectural Institute of the State Cademia in Moscow. I studied at the Faculty of Industrial Buildings and Structures, but during my studies I realized that I was more interested in residential architecture and received a master of Architecture in residential and public buildings. Since 2017, I joined the Union of Architects of Russia after winning a state competition.
MK : Since childhood, I have been fond of creative activities, I was very fond of drawing at school and tregynometry in high school. In addition to the general education school, I graduated from an art school, after which I decided to enter the architectural institute.
MK : I made the decision myself and chose a creative path.
MK : I enjoy designing display spaces and art installations most of all, but I also enjoy working on creative private residential interiors.
MK : First of all, I would like to advise you to always treat any tasks with a creative approach, even those that seem boring and not interesting at first. I also wanted to advise you to always go towards your goal, and understand that this path will not be easy, but it will always justify itself.
MK : A good designer strives to be on trend, a great designer creates his own trends.
MK : First of all, I evaluate the idea that the author wanted to convey in the design, then I evaluate the selected color combinations and the materials used.
MK : Design for me is primarily creativity, design is a mirror of society. I also really appreciate ideology in design. Design helps to fill people's lives with meaning and create interesting spaces that will give emotions to ordinary people.
MK : When I have the opportunity, I will definitely design. and I am implementing the project of the Museum of Modern Art.
MK : I want to design and implement a contemporary art museum. To create both the architecture of the building and the internal space based on the ideology of the avant-garde - Surematism.
MK : The style of interior design in which I work belongs to functional minimalism, in my last works I promote the ideology of new Suprematism. This ideology fills the interior space with pure geometry. I am not creating a box with a set of furniture and decor items, but a space where the walls are an interior item, and where every kink and turn is due to a geometric reading of the space. Most of all I pay attention to the general ideology and theory. I also pay great attention to the perception of the architecture of space by a person. In particular, the influence of space geometry on its perception from different points of view interests me most when designing.
MK : I like the direction of the avant-garde of the beginning of the last century, in particular - Siprematism. The work of Kazemir Malevich gives me food for creation.
MK : I also like the architecture and design of a Japanese architect - TADAO ANDO and the architecture of a Spanish architect - Santiago Calatrava.
MK : The biggest project I had to work on was a project for building a neighborhood for 25,000 people from a well-known developer. It was a tender competitive project, the project from our team was in the spirit of Le Corbusier's ideology of modernism and linear cities.
MK : I would offer them my view on the design.
MK : I would become a sculptor.
MK : Design for me is primarily creativity, design is a mirror of society. I also really appreciate ideology in design. Design helps to fill people's lives with meaning and create interesting spaces that will give emotions to ordinary people.
MK : I like the direction of the avant-garde of the beginning of the last century, in particular - Siprematism. The work of Kazemir Malevich gives me food for creation. I also like the architecture and design of a Japanese architect - TADAO ANDO and the architecture of a Spanish architect - Santiago Calatrava.
MK : Experience and study of art history.
MK : The main obstacle that was there was a lack of confidence due to lack of experience.
MK : In any creative work, it is important, in addition to the idea itself, also the ability to show it to society. Therefore, designers should look for the most advantageous angles of their ideas, just like in a photo shoot.
MK : We are currently working on a very interesting interior project for private apartments with an area of about 200 square meters, this interior is an ideological continuation of our experiments with a new vision of Suprematism in the interior.
MK : I want to design and implement a contemporary art museum. To create both the architecture of the building and the internal space based on the ideology of the avant-garde - Surematism.
MK : Own ideology in design.
MK : A designer is first and foremost a person who turns his ideas and ideas into reality. I believe that in the work of a designer, as well as in the work of an architect, the task is always to combine the visual aspect and the functional one. I believe that the interior designer is first and foremost the link between art and the common man. And the skill of the designer is to fit the design into the environment.
MK : We are currently working on a very interesting interior project for private apartments with an area of about 200 square meters, this interior is an ideological continuation of our experiments with a new vision of Suprematism in the interior.
MK : Palácio do Congresso Nacional by Oscar Niemeyer. The shapes of two high-rise buildings symbolize two people striving for connection, communication and unity. The passage in the middle of the building is the heart. The bridge on the roof is a symbol of reason.
MK : I would like the design to receive more investment for its development in society around the world.
MK : Now in modern design there is a search for something new through the prism of the past. It seems to me that now we are on the verge of the emergence of a new ideology in art and design.
MK : The design time depends on the area of the object, and on communication with the Customer. On average from 3-5 months.
MK : From the analysis.
MK : Design for the sake of an idea.
MK : I always read foreign magazines about architecture and interior design, watch reviews of exhibitions from different countries, I try to attend the most significant and large events. The study and accumulation of experience is one of the important aspects for the development of oneself as a person. The path of each architect or designer goes through the analysis of the works of his predecessors, first you accumulate experience and knowledge, then you can give your vision and interpretation, and then do something of your own. I believe that the main thing that is valued in society is its own vision of the world and in particular architecture and trends in design, so the author's design always remains relevant.
MK : Technology always plays an important role and helps to realize the most daring ideas.
MK : Basically our main tool is 3d modeling. First I draw sketches by hand, I make diagrams of the idea, and then we start building this idea in 3D to see this idea in volume. The link in which we work is AutoCAD+3dsMax, Revit+Lumion.
MK : In interior design, my favorite materials are metal and natural stone. These materials allow you to make the interior more architectural.
MK : Where else can I see the work of this author?
MK : Imagination and the power of the human mind has no limits.
MK : It seems to me like-minded people and a team play a significant role in the work of any designer and if a business partner is your like-minded person, then this is the key to success.
MK : I got the most important experience in the first years after the institute, when I came as an intern in a large interior design and private architecture bureau. There, for 3 years of work, I gained tremendous experience and formed as a specialist.
MK : Architects' Data (German: Bauentwurfslehre), also simply known as the Neufert, Alvar Aalto. Das Gesamtwerk. Complete Work. Vol. 1-3, Malevich, Kazimir. The Non-Objective World, Chicago: Theobald, 1959.
MK : Analysis of art history and modern design literature.
MK : Malevich Kazimir. Discuss the ideology of suprematism.
MK : The awards received in various international competitions motivate me and show me that I am on the right path as a professional in my field.
MK : My favorite color is purple, the place is normandy, the food is pasta, the season is autumn, the thing is a car, the stone island brand.
MK : A funny case was when I came for a week to the author's supervision of a penthouse in Tbilisi, and stayed there for 3 months due to the complexity of the object.
MK : I always motivate myself with the success of other designers and architects.
MK : As a child, I had the ability to draw, which then led me to architecture and design.
MK : Design is like art, before something new is born, they always return to the past. Now in modern design there is a search for something new through the prism of the past. It seems to me that now we are on the verge of the emergence of a new ideology in art and design.
MK : The style of interior design in which I work belongs to functional minimalism, in my last works I promote the ideology of new Suprematism. This ideology fills the interior space with pure geometry. I am not creating a box with a set of furniture and decor items, but a space where the walls are an interior item, and where every kink and turn is due to a geometric reading of the space.
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