Design Legends ("DL") had the distinct honour to interview legendary designer Shaoyang Chen ("SC") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
SC : I had a journalism bachelors degree. Before my design career, I briefly worked at NBC Missouri affiliate as a digital producer. After that, I started my design career as an editorial designer at Missourian newspaper (Columbia,MO), Avenue magazine (New York,NY). After graduating from School of Visual Arts with a design master, I worked at San Francisco Film Festival as a branding designer. During this time, I also worked on some freelance projects with film directors, Land Rover, artists and art museums.Currently I am working at Wieden Kennedy and worked on art direction projects for HP and Vacation.
SC : I have always been a "magazine junkie" and it was so natural that I got myself interested in graphic design while collecting infinite indie magazines.
SC : Yes I am very determined to become a designer as I feel a sense of freedom when I design.
SC : I currently working on some art direction projects. In the future, I would love to hop on more films and music project.
SC : Hardworking, perseverance and resilience will take them further and higher than where I am now.
SC : A good designer can finishes the task and delivers beautiful visual assets. A great designer can come up with a strong idea that people can get it with the first glance.
SC : I really focuses on whether a design touches a person's heart. That's the most valuable thing Stefan Sagmeister taught me at grad school.
SC : A good design connects people together. Good design makes people feel they are seen and heard.
SC : I would start a poster series of my favorite film works.
SC : I really want to hop on a branding project for a fashion brand.
SC : I learn "300% rule" at Wieden Kennedy. I always bring in 300% creativity when I first started a project. Even there might be any restraints from clients and brands, since we have 300% creativity on the table, clients and I can have more freedom to pick and choose what we want. The final design solution can be as close to as 100% creativity.
SC : I recently like Tibor Kalman. He's so cool and his concept is so strong.
SC : I really like the newspaper Civilization by Richard Turley. I found this fun newspaper during the pandemic lockdown when I was living in New York City. It gave me so much joy and the graphics are sick.
SC : I really like the title sequence I did for Alam Virk's movie Boxed. It has a strong visual concept and completes the fullness of the story as well.
SC : Just practice. Endless practice.
SC : Probably a streamer for Tik Tok live-stream shopping. It looks like a fun job.
SC : Design is the communication bridge to connect people.
SC : My parents, my professors at SVA and my mentors at Wieden Kennedy.
SC : Constant practices.
SC : Imposter syndrome was and still is my biggest enemy.
SC : Designers with visual fluency will make better communication to their audience.
SC : I want to start a poster series of all my favorite film works.
SC : Being able to create a community that fosters the next generation of designers.
SC : They probably will look for stronger concept or ideas.
SC : Design as a communication bridge can connect people together.
SC : I am currently working on a TV bible that can also be a possible ad campaign for camera brands.
SC : I really like my title sequence design for Alam Virk's movie Box. I think the visual helps complete the fullness of the story.
SC : More young blood and more renovation.
SC : Nowadays design fields basically covers everything related with graphics, typography and design thinking. The future of design might be similar to the music we hear nowadays. As different culture influences one another, the new wave of creativity will be pushed to the peak.
SC : Sometimes couple days, sometimes a quarter. It really depends on the subject and clients I work with.
SC : The first conversation with my client always builds a solid base for me to understand their design aesthetic and value. And I will come up with a strategic plan for the next meeting to move the project forward.
SC : Always aim for 300%.
SC : They both influence each other.
SC : Secondary. Technology is just a tool to help me to bring ideas to life. But ideas always come first.
SC : Adobe, my pen and sketch paper.
SC : Color is very important. It can be part of the design concept. Materials and ambient can helps me land on a better visual presentation.
SC : The idea about my project.
SC : I would try to analyze how the designer ties the concept with the subject together.
SC : I believe in co-design. My ideal design partner is someone who is open to any ideas.
SC : Lots of people I met have influences on my works. Some taught me how to think, some taught me how to execute and some taught me how to present.
SC : I grew up reading magazines so editorial design has a big influence on me.
SC : I took any chance to practice my design skill. No matter how small a project is, I am willing to be invested into it.
SC : I would love to meet either Saul Bass or Virgil Abloh.
SC : I feel lucky to get those awards and I feel grateful for it.
SC : My favourite color is white, and I dont know if white counts more as a shade or color. My favourite place is home; favourite food is spicy Chinese hot pot; favourite season is srping; and favourite thing is puppy, if puppy can be counted as thing. My favourite brand right now is Martine Rose.
SC : I once designed a pizza air couch as a project for Stefan Sagmeister's class. That was hilarious.
SC : I motive myself by reading other designer's article and listening to their talk.
SC : Not at all. I was dreamt to be a journalist or magazine editor.
SC : I can't see what's going to happen in thousand years from now. But I think we will have a more vibrant and unique culture from all the culture cross pollination.
SC : I don't feel there's anything particularly interesting about me as a person. But I would love more design lovers to know about the 300% rule that I mentioned earlier. There are so many occasions designers don't have full control of the project. The only thing designer can control is their work output.
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