Design Legends ("DL") had the distinct honour to interview legendary designer Charlotte Friis ("CF") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
CF : I went to Royal College of Art from London and after Royal Academy of Fine Arts in the Design Department in Copenhagen to establish myself as a designer.
CF : Since I was a child I was a curious person and found myself studying things around me. I became a designer because I find it as strong medium to express creativity.
CF : I chose to become a designer because I think it's a challenge to come up with something original and overlay it with functionality. I love a good challenge...
CF : I design objects that you find in the daily life but I attach a new meaning to them. At the moment I am working on two pieces and I'm happy not getting more ideas. I designed a chair that is slowly becoming an icon, so I guess I would like to design more object like that...
CF : First, I don't consider myself a legend... that is a big word. I think they should explore and experiment more with new interpretations of objects and definitely trust their instinct.
CF : A good designer makes functional and aesthetically pleasing objects. A great designer innovates, explores new realms of creation with experimentation.
CF : A good design has to be original and functional. For me personally, it has to bring something new in the discussion, something unexpected.
CF : I believe good design can change your mood, I would go that far to say that it can make you smile. It can feel so comfortable or it can change the user experience.
CF : It's hard to say... I would probably like to design 24/7. I can't pin point what I want to design before I'm not actually doing it. And I don't know for who because I'm by definition a freelancer.
CF : I think I'm more into trying to design icons...
CF : My secret ingredient is something that all designers should have...and it's not a secret, it's just full on creativity.
CF : Well if had to name a few: Ingo Maurer, Wegner Panton. It's safe to say that I don't really search for inspiration in other designers.
CF : I don' really have favorite designs but if I must say - Birdie Pendel by Ingo Maurer because it made me smile and the unusual construction.
CF : I would have to name The Children Papers Chair, because the target audience, the children really liked it. The chair is rethinking the experience of drawing and saving all the drawings in the mean time.
CF : I was thinking out of the box and trying to keep not compromise on my design. Doing research on how I can complete my designs.
CF : I think I would have been an artist. I think these two professions go hand in hand.
CF : I guess design is like any other creative job, it becomes a life style. You can't really detach the working life from the private life because one inspires the other, at least that is what happens in my case.
CF : I think my biggest supporters are my family. My kids are the ones that inspire me to design the most, I make use of their enthusiasm and try to be more like them when I design.
CF : I think it was exercising while kept on refining my design language. All topped with try-fail process in the direction of prototyping.
CF : Well I don't consider myself a master designer...I'm not really preoccupied about my status, I but like think about ideas! I had to work very hard to get into the schools I have attended.
CF : Presenting the work is something more than beautiful drawings and renderings is also prototyping. Prototyping is something that tells more about the object you present and also helps a lot in productions phase.
CF : I am working now on two items and I'm a bit relived that I haven't got any new ideas. Getting new ideas get me into full work mode and that always is a long but interesting process.
CF : I guess to make more icon designes... and maybe some solo exhibitions outside from Denmark.
CF : I guess they expect originality. I think they expect an unusual way of thinking of a daily object.
CF : I hope it does. Good design can inspire and educate the society with it even being conscious.
CF : I am working on a upholstery chair that offers the user the option of assorting the decoration to his/her taste.
CF : I guess the Children Papers Chair...because it got presented in a lot of exhibitions and publications around the world. The most memorable place for exhibition is Victoria and Albert Museum of Childhood in London.
CF : I think companies that produce should be a little more open to the designer, maybe there should be compromise also on their side not only on the designers side. They should grade and value more originality.
CF : I hope it's heading towards more open realms in terms of production and also the targeted audience for which I design.
CF : Timeline has never been a demand for me when I design. Projects can last for a few days to a few years. I've had occasions where I left aside a drawing for a long periode of time and the started to work again on it.
CF : I start with the idea, concept development, it is a project that happens without my awareness, I don't have a receipt. Often, I find myself having a clear image in my head about how the object looks like.
CF : Well think it's : I design across form and function. It's all related on how I view the objects and how I analyse them.
CF : I guess it work both ways. But the main idea is to cultivate originality.
CF : Technology makes my design come to life. It supports my vision but it is not dictated by it.
CF : Well I usually draw it in Autocad, before I modeled it in to foam prototype...so I guess my equipment is very much relating to prototyping.
CF : The colors are used to emphasize the shape and materials complement each other hopefully creating a pleasant dynamic and none the less harmony.
CF : I think people should be interested in the experience the item offers beyond the function and aesthetics.
CF : I guess the fact that I would like to own it. The interesting part is also on how it works and what the purpose is.
CF : I work by myself. I enjoy talking to technicians.
CF : I think that would be my mother because she is a creative person herself.
CF : I really can't think of one.
CF : I kept refining my design language but using prototypes and researching new ways of putting my ideas to use.
CF : I don't know...I guess that would be my daughter when she is going to grow up and be a creative also.
CF : I don't consider myself to be a famous designer, not yet at least...
CF : My favorite color is actually a non color - black but I have thing for yellow. My favorite place is maybe my living room that doubles for my studio surrounded by my favorite things. My season would have to be spring. For food I would always go for sushi. The thing would be my black handbag. I don't have a favorite brand.
CF : When I was in Milano I was with a Korean friend that I met while exhibiting together in Seoul and he gave me a gift - a mop shaped like a dog and I took it back in the hotel in the pouring rain while everyone was staring.
CF : It's a great day when I get an idea I've never seen before.
CF : I think it was obvious that I would be a creative, because I was so curious about the world around me and kept on drawing and painting everything.
CF : My mind cannot really expand that long, I live more in the now...
CF : It's hard to think that I have fans, but I would like to be more aware about what originality stands for.
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