Design Legends ("DL") had the distinct honour to interview legendary designer Rado Iliev ("RI") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
RI : I graduated in Architecture in the Sofia (Bulgaria) University for Architecture and Engineering in 1990. Then moved to London and started to work for Design and Architectural companies. I consider my work experience the greater part of my education.
RI : I wanted to become an Architect since my teen years. I am a creative person and like to create things. Motivation comes from interest in the design subject and solving the problems that come with it.
RI : It was my wish
RI : I like all aspects of creative design and in my experience I have been involved in all disciplines from town planning thru large scale architecture, interiors, furniture. All can be interesting but recently my focus is on the smaller scale – houses, interiors, furniture.
RI : I am not a design legend. Focus on work but keep an eye on the world around.
RI : The point of view I guess. Good designers would probably debate that too. Maybe it is the extra mile one would go to deliver above expectations.
RI : When it does the job right and as per the brief. And when it has lasted 100 years and we still learn from it.
RI : Sustainability. Good stuff lasts and you don’t have to pay for one thing too many times.
RI : Anything, anyone. And I usually find time. Of course it helps a great deal to have a client that would trust you unconditionally.
RI : Always the one I am working on at the moment. And the next one.
RI : I don’t hold any secrets. Luck plays a role here too. And that is mainly the right client.
RI : Le Corbusier, Frank Lloyd Right, Schindler, Rogers and many others
RI : Too many to list but I should mention the Ronchamp Chapel, The Eiffel Tower, Lloyds in London. They are brave and they have done the test of time.
RI : I don’t see my design as great. I only try to get things right and I am happy when I succeed. I can not single out anything in particular. The Madeira project was a success, but I have also done few good jobs while working for other people – the Tate Modern first shops, still proud with that. My summer house was also fun to do and people seem to like it.
RI : No recipes here. Look, listen, learn. And keep trying till you get it right.
RI : I would be a painter
RI : Work and pleasure. And insomnia
RI : People around me – family and colleagues I have had the luck to work with.
RI : My interest in beautiful things, my work.
RI : My path was clear. It just took a lot of time.
RI : Couple of small houses in the near future. Curiously both are for female divorcee friends.
RI : Honesty. And getting more work.
RI : We hope to educate but it doesn’t always work. Sadly not everyone thinks that design is important.
RI : As mentioned above – couple of small houses. One is by the sea, the other in the woods. Modern stuff
RI : The ones completed following my drawings. Madeira is a good example. I had a dream client there.
RI : Improved communication between designers and producers. Better understanding of responsibilities and more honesty.
RI : One never knows. Design is seen as luxury so I suppose we will follow the money again.
RI : How long is a piece of string? I always try to have everything finalized before production but it is never the case. People are very impatient
RI : I ask about the money. Is there enough to achieve the desired product?
RI : Never thought of that. I should think though. Honesty and simplicity is probably a good one.
RI : Works both ways. The stronger wins the battles.
RI : Helpful, but limited. I use mainly my head and heart.
RI : CAD, Photoshop, my right hand
RI : That is design. We just try to get them to talk to each other.
RI : I wish I designed that
RI : A good client. All design is co-designed. Collaboration between client, designer, manufacturers.
RI : Clients usually but I always try to steer them to where I like to go.
RI : All of them I suppose. It is the same with films, you don’t follow the story, you look at buildings and furniture. I get a lot of inspiration that way.
RI : Thru work I guess and again - look, listen, learn.
RI : Le Corbusier. I would be probably too shy to talk about work to him, but it would be great to shake hands and maybe have a drink together. I would always brag with that
RI : I have won only one award. And I am not famous
RI : I have no favourite color. The thing with colors is that they are never alone – there are always other colors next to them. It is about getting the balance work. Places are many, but I will mention Barbican here. I worked in the area for years and spent many days there. It thought me a lot. For food – Thai stands high but I am always pretty open when it comes to something new. All seasons are beautiful.
RI : My father was acting as a construction consultant on my first house project. When I changed a dimension on my drawings he refused to amend his documentation following the change saying that the building was ugly anyway.
RI : When I have enough time to concentrate on actual work. And when I see that things are going the right way. Then it is followed by a bad night sleep.
RI : Little was obvious then but I liked to draw a lot
RI : No idea. Hope it will be exciting and I will be still around
RI : I always show to the client three options for the design and usually a forth gets built. Just kidding – it’s usually the third.
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