Design Legends ("DL") had the distinct honour to interview legendary designer Polin Kuyumciyan ("PK") for their original perspective and innovative approach to design as well as their creative lifestyle, we are very pleased to share our interview with our distinguished readers.
PK : I graduated from Rhode Island School of Design in 2011, with a BFA in Graphic Design. After a few years in agencies and corporate life, I founded my own studio and stationery brand. Since then, I've been juggling between these two.
PK : I had a college professor who once said 'When you are photographer, you are a fine artist. When you become a designer, you're not fine anymore.' I love that and I love the contraints that come with being a designer.
PK : I chose to become a designer. My other option would have been acting.
PK : I would like to design books and more artist catalogues. I have a tendency to divide things into categories and manage cabinets of informations. A multiple paged design work attracts me in that sense.
PK : A good sense of what works visually and great communication skills. You have to understand people in order to design for them.
PK : When both you and the customer agree on the same thing and you completely fall in love with the end result. Of course it's also very crucial that the audience understands your message and you design translates correctly.
PK : I would design more stationery related products. I like working with paper and thinking of different ways to adapt stationery for the needs of modern society.
PK : I want to work on a massive personal project to help me grow as a person and as a designer.
PK : I am a very fast worker. And my speed usually works for my advantage. I guess I can say it's my secret ingredient.
PK : Stefan Sagmeister and Jessica Walsh. I love their approach to design and how they know to manage work and personal projects both at the same time.
PK : I'm always drawn to big, bold, fun, colorful, geometric designs. These visual elements keep popping up in my designs as well. I cannot create a 'quiet' design, it usually ends up being loud. A few examples: in fashion, Dice Kayek designs are simply magnificent; in jewellery, I really like Contour Studio's geometric designs; in graphic design, Alan Fletcher, Phil Cleaver, Jessica Walsh, Stefan Sagmeister and Leta Sobierajski are some of the mega talents.
PK : Stick to deadline, be organized, don't overdo.
PK : I had two passions growing up: drawing and acting. If not a designer, I would have definitely become an actress.
PK : Design is everything we see, touch and feel. Design dictates the modern society and shapes the way we live. Design is the reason why we choose the way we live.
PK : My family was and is always my biggest supporter. Apart from them, during my college education, one of my professors, Hammett Nurosi has been a great mentor to me.
PK : I cannot see myself as a great designer but an evolving one. Hard work, persistence, time management, research and networking are some of the few things that I work on every day.
PK : In my opinion every phase of every work should be presented with great attention to detail. A sloppy presentation of a great design devalues the design whereas a carefully worked presentation of a mediocre design polishes the design and makes it stand out. Presentation is always a key factor in success.
PK : I want to work on a massive personal project because I believe it will help me widen my perspective and grow as a designer. And I always have stationery project in line, waiting to be realized.
PK : To be as versatile as possible and to have many personal projects.
PK : Society depends on design and design shapes the future of society. How and where the society lives, which products it purchases, what kind of decisions it makes, how it moves and evolves all depend on design.
PK : I have a couple of exciting projects: logo design, website design and more stationery projects for my brand PK Design. I think the best part of being a freelancer is that you can multitask and work on different projects at the same time.
PK : I love working on books, catalogues and stationery products. Print works are my favourite. Deciding the size, quality of paper and print techniques is a very satisfactory process.
PK : In terms of graphic design, I think we will see motion graphics a lot more in the future and the future is graphic design will grow largely in digital platforms. Most graphic designers will also become UX/UI designers. It won't be an extra skill to learn, UX will be a natural part of graphic design.
PK : It depends on the needs of the customer and the size of the project really. But in overall, it usually takes around a month to finalize everything.
PK : I start with a mix of research and sketching. Sometimes, although very rarely, I can come up with the answer right away.
PK : In order to succeed in designing, you have to master communicating.
PK : I think it is a matter of chicken and egg. It is a two way street.
PK : As almost every graphic designer, I am very attached to my computer. However I'm not super program savvy. I know enough to help myself deliver my ideas on canvas.
PK : I mostly use the Adobe products such as Illustrator, Photoshop, InDesign, Dreamweaver and Premiere Pro. I always use a sketchbook initially and then move on to the software. Books, both design related and unrelated, can also be part of my design process. I do a lot of research on shutterstock, pinterest and font sources. And I always save inspiring ideas or images/things I come across for later use.
PK : As a graphic designer, color plays a huge role in the design process and end result. Each color triggers and emotion and especially branding design requires a lot of research and attention for color. Materials are important if the work will be printed. The size of a book or the cover properties, printing techniques and paper choice are all very important in order to create a mood and convey the proper message.
PK : It's always hearts coming out of my eyes. At least that is my first reaction. And then I go on about studying it.
PK : I like working alone and frankly think I work better that way. But if I had a partner, I would prefer someone who is not a designer but a marketing specialist. Designing and marketing go hand in hand and while I work on the designing bit, it would be nice for someone to handle the marketing side.
PK : I have a group of friends and family members from different backgrounds and professions whom I email or show my process and design. I always ask for criticism and feedback. I think it's important to see what your design resonates in the minds of others, especially non-designer people.
PK : I met one
PK : I'd love to meet pirates! I would listen to their stories and turn them into a children's book that I write, design and illustrate. It would be fascinating.
PK : Blue, home, steak, summer, mirror, Nuuna. There are many more brands but Nuuna is one my favourite stationery brands.
PK : I met one of my biggest clients while sitting at another client's stationery fair booth. I was going to have a quick meeting with my client and I was waiting for my turn. So I sat down at one of the tables in the booth (it was a huge booth) and started playing Candy Crush. That's when two men asked my permission to sit at my table. They were also waiting for a quick meeting so while waiting for our turns, we started chatting. They asked me what I did for a living and it turned out that they were looking for a freelance graphic designer. My client vouched for me at the spot and I was hired the next week!
PK : I have many beautiful mugs for lots of coffee and tea during the day. That's the number one must I require for motivation. A great chair and a big desk full of my notebooks and to do lists are also my other motivational objects.
PK : I always was very interested in arts, especially in drawing and acting. In the end I became a freelance graphic designer, where I mix and match both those skills and apply to my work.
PK : It might be just wishful thinking but I don't the human race will survive for that long. Or maybe a superior species will evolve, one that doesn't harm nature as much.
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